Mo Mường and the Epic 'Đẻ đất đẻ nước' - A Folk Encyclopedia
Mo Mường, the Muong people's folk belief, and its epic 'Đẻ đất đẻ nước' form a cultural and historical treasure proposed for UNESCO recognition.
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Hồ sơ giúp anh chị
Gói của Nhật Nguyệt
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Mo Mường, the Muong people's folk belief, and its epic 'Đẻ đất đẻ nước' form a cultural and historical treasure proposed for UNESCO recognition.
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The story of Lạc Long Quân and Âu Cơ, the sack of one hundred eggs, as recorded in Đại Việt sử ký toàn thư and Đại Nam quốc sử diễn ca, and what is myth.
The Ede longhouse reflects matriarchy in its structure and carvings, and stands as a cultural symbol of the Central Highlands.
The Mnong speak a Mon-Khmer language and live mainly in Đắk Lắk and Lâm Đồng, with matrilineal culture and buffalo sacrifice at the new rice festival.
The Ê Đê live mainly in Đắk Lắk, southern Gia Lai, western Phú Yên and Khánh Hòa, speak a Malayo-Polynesian language and follow matrilineal customs.
The Ba Na live in Gia Lai, Kon Tum and western Bình Định, Phú Yên and Khánh Hoà, speak a Mon-Khmer language and keep many community festivals.
Vietnam's Decree 39/2024/NĐ-CP sets seven types of intangible cultural heritage for inventory, with traditional crafts fifth and folk knowledge seventh.
The Gia Rai speak a Malayo-Polynesian language and live mainly in Gia Lai, Kon Tum and Đắk Lắk, with a matrilineal society that worships Yang spirits.
Vietnamese folk belief includes ancestor worship, deity worship, Mother Goddess religion, agricultural beliefs, and rituals of many ethnic groups.
UNESCO recognized the Gong Culture Space of the Central Highlands in 2005. Gongs shape the spiritual life of the Ê Đê, Ba Na and Gia Rai.
The Ha Nhi live along Vietnam's Chinese and Lao borders in Lai Châu and Lào Cai, speak a Tibeto-Burman language and worship ancestors by household.
The Khơ Mú speak a Mon-Khmer language and live in Yên Bái, Sơn La, Lai Châu, Thanh Hóa and Nghệ An, worshipping five spirits.
National Resistance Day, December 19, 1946, marks President Ho Chi Minh's Call for National Resistance against French colonial invasion.
The Autumn Keo Pagoda Festival in Hưng Yên honors Zen Master Dương Không Lộ with palanquin processions, the frog dance and boat racing.
Tây Nguyên culture centres on the gong space, the rông house and the matrilineal system. The article analyses their origins and how they are changing today.
Writer, poet, musician, author of the songs 'Người Hà Nội' and 'Diệt phát xít'