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TL;DR: Traditional Vietnamese festivals are generally grouped into four main categories: agricultural festivals for harvest, religious and spiritual festivals, historical commemorative festivals, and ethnic minority festivals. Each category has its own rituals and meanings, reflecting spiritual and community life.
Traditional Vietnamese festivals can be classified into four main groups based on origin and purpose: agricultural festivals praying for a good harvest, religious and belief festivals, historical commemorative festivals, and festivals of ethnic minorities. This classification is only relative because many festivals carry the characteristics of several groups at once. This is traditional and reference knowledge, not yet scientifically verified, and is not intended to offer predictions or promises about wealth, health or marriage.
What are agricultural festivals praying for a good harvest?
This is the group of festivals tied to the agricultural cultivation cycle, usually taking place in early spring or after the harvest. People hold rituals to worship deities and the rice god, praying for favourable rain and wind and a bountiful harvest. Typical festivals include the Lồng Tồng festival of the Tày and Nùng people, the Lùng Tùng festival of the Thái people, the Roóng Poọc festival of the Giáy people, the Tịch điền Đọi Sơn festival in Hà Nam, the Khai hạ festival of the Mường people, the new rice celebration of the M'Nông and Xơ Đăng people, the Trỉa lúa festival of the Bru-Vân Kiều people, the Pặt Oong going-to-the-field ritual of the Pu Péo people, and the Sayangva festival of the Chơ Ro people. A common feature is the solemn ritual part with the rites of going down to the field, ploughing and sowing seed, and the lively festive part with folk games. This group of festivals reflects the long-standing wet rice civilisation and the polytheistic beliefs of agricultural communities.
The four groups of traditional Vietnamese festivals by origin, purpose and typical characteristics.
| Festival group | Origin, purpose | Time of organisation | Typical festivals |
|---|---|---|---|
| Agricultural festivals praying for a good harvest | Tied to the cultivation cycle, worshipping deities and the rice god, praying for favourable rain and wind and a bountiful harvest | Early spring or after the harvest | Lồng Tồng festival, Lùng Tùng festival, Roóng Poọc festival, Tịch điền Đọi Sơn festival, Khai hạ festival, new rice celebration, Trỉa lúa festival, Pặt Oong going-to-the-field ritual, Sayangva festival |
| Religious and belief festivals | Tied to Buddhism, Mother Goddess worship, whale worship and ethnic religions | Feast days of the religion or belief | Vesak, Yên Tử festival, chùa Hương festival, Phủ Dầy festival, Nghinh Ông festival, Cầu Ngư festival, Katê festival, Óc Om Bóc festival, Ok Om Bok |
| Historical commemorative festivals | Commemorating national heroes and those who contributed to building and defending the country | Death anniversaries or historical events | Đền Hùng festival, Cổ Loa festival, Hội Gióng, Khai ấn Đền Trần ceremony |
| Festivals of ethnic minorities | Carrying ethnic identity, tied to polytheistic beliefs and shamanic rituals | Gầu Tào festival, fire-jumping festival, Then Kin Pang festival, Bảy Núi buffalo racing festival, Katê festival, Tắc Xình dance, new rice celebration |
Which festivals belong to religious and belief festivals?
This group includes festivals tied to Buddhism, Mother Goddess worship, whale worship and ethnic religions. For example, Vesak commemorates the birth of Shakyamuni Buddha and is usually held on the full moon day of the month of Vesak. The Yên Tử festival commemorates Buddha-Emperor Trần Nhân Tông and the Trúc Lâm Zen school. The chùa Hương festival is the longest spring pilgrimage in Vietnam, tied to Hương Tích cave. The Phủ Dầy festival is the centre of the worship of Mother Goddess Liễu Hạnh. Whale worship is expressed through the Nghinh Ông festival and the Cầu Ngư festival of coastal fishermen. There are also the Katê festival of the Cham people who follow Brahmanism, and the Óc Om Bóc and Ok Om Bok festivals of the Khmer people of the South. These festivals are usually tied to rituals of bathing the Buddha, palanquin processions, incense offerings, floating water lanterns and distinctive cultural activities.
What are the characteristics of historical commemorative festivals?
This group of festivals aims to commemorate national heroes and those who contributed to building and defending the country. Typical examples are the Đền Hùng festival (Phú Thọ) commemorating the Hùng Kings, the Cổ Loa festival commemorating An Dương Vương, Hội Gióng honouring Saint Gióng, and the Khai ấn Đền Trần ceremony praying for peace and commemorating the Trần kings. These festivals usually include rituals of palanquin processions, offerings and performances re-enacting historical legends. This is an occasion to teach the tradition of remembering the source when drinking water and to strengthen community spirit.
What is special about the festivals of ethnic minorities?
Vietnam has 54 ethnic groups, each with its own festival carrying a unique identity. Mention may be made of the Gầu Tào festival of the Mông people praying for children and blessings, the fire-jumping festival of the Pà Thẻn people, the Then Kin Pang festival of the Thái people of Lai Châu, the Bảy Núi buffalo racing festival of the Khmer people of An Giang, the Katê festival of the Cham people, the Tắc Xình dance of the Sán Chay people, and the new rice celebration of the Xơ Đăng people. These festivals are usually tied to polytheistic beliefs, shamanic rituals, and cultural activities such as dancing, singing and folk games. The Tây Nguyên Gong cultural space, honoured by UNESCO in 2008, is a typical example of the festival heritage of ethnic minorities.
Which group do boat racing festivals and folk games belong to?
Boat racing, ghe racing, buffalo fighting and buffalo racing festivals are usually tied to agricultural festivals or beliefs praying for rain and prosperity. Traditional boat racing and ghe racing festivals express the spirit of riverine life and community strength. The Đồ Sơn buffalo fighting festival is tied to legend and the belief in praying for prosperity. The Bảy Núi buffalo racing festival of the Khmer people of An Giang takes place during the Sene Dolta festival. These activities are both ritual and sporting game, attracting large numbers of participants and visitors.
What types of music and folk performance festivals are there?
Music and performance are an indispensable part of many festivals. Hội Lim is the largest quan họ festival in the Kinh Bắc region, taking place on the 13th day of the first lunar month. The Tây Nguyên Gong cultural space is tied to the rituals and community life of many ethnic groups. The Tắc Xình dance of the Sán Chay people mimics the cultivation process. The Then Kin Pang festival of the Thái people of Lai Châu pays tribute to Then masters. These forms of performance are usually passed down from generation to generation, contributing to the preservation of cultural identity.
How can the types of festivals be distinguished?
One can rely on the time of organisation, the purpose of the ritual and the participants. Agricultural festivals usually take place in early spring or after the harvest, tied to the cultivation cycle. Religious and belief festivals are tied to feast days of a religion or to Mother Goddess worship and whale worship. Historical commemorative festivals are usually tied to death anniversaries or historical events. Ethnic minority festivals carry strong ethnic identity, usually with shamanic rituals and traditional games. However, the classification is only relative because many festivals interweave many elements.
What is the cultural value of traditional festivals?
Traditional festivals are an occasion for the community to bond, to remember ancestors, to honour cultural values and to educate younger generations. They reflect the spiritual life, beliefs and identity of each ethnic group. Many festivals have been recognised as national or UNESCO intangible cultural heritage, such as Hội Gióng and the Tây Nguyên Gong cultural space. Preserving and promoting traditional festivals is an important task, but excessive commercialisation should also be avoided and the sacred character of the rituals preserved. This is reference knowledge and does not replace in-depth research or official guidance.
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