Nhật Nguyệt

Knowledge / Vietnam

Festival customs

Ông Công Ông Táo: The Kitchen Gods' Journey to Heaven on the 23rd of the 12th Lunar Month

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TL;DR: The ông Công ông Táo ceremony falls on the 23rd of the 12th lunar month, seeing off the three Kitchen Gods, household deities who oversee family affairs, as they journey to heaven to report on the family's deeds to the Jade Emperor. The rite originates from the legend of "two men, one woman," and involves releasing golden carp as the vehicle carrying the gods heavenward, marking the start of Lunar New Year preparations.

What Is Ông Công Ông Táo?

The ông Công ông Táo ceremony, also called Tết Táo Quân, falls on the 23rd day of the 12th lunar month each year, one of the important rites marking the start of Vietnamese Lunar New Year preparations. According to folk belief, this is the day the Kitchen Gods, deities who oversee the household hearth and family affairs, ride carp up to heaven to report to the Jade Emperor on the good and bad deeds each family performed over the past year.

The Legend of "Two Men, One Woman"

The origin of Kitchen God worship is tied to a touching folk legend about three hearth deities, commonly referred to as "two men, one woman." The story tells of Thị Nhi, whose husband Trọng Cao often quarreled with her over their childlessness. In a fit of anger, Trọng Cao drove his wife away. Thị Nhi wandered to another land and met Phạm Lang, whom she married. Later, Trọng Cao repented and set out to find his former wife. While begging along the road, he happened to be recognized by Thị Nhi (now Phạm Lang's wife), who fed him. Fearing her new husband would return and misunderstand, she hid Trọng Cao in a haystack behind the house. Unfortunately, Phạm Lang came home and burned the hay for fertilizer ash, unknowingly burning Trọng Cao to death. Grief-stricken, Thị Nhi threw herself into the fire to die alongside him. Seeing this, Phạm Lang, out of love and loyalty, also leapt into the flames to die with his wife. Moved by the deep bond and righteousness among the three, the Jade Emperor appointed all three as Kitchen Gods, entrusting them with overseeing the household hearth and recording each family's good and bad deeds on earth.

The Meaning of the Send-Off Ceremony

In folk belief, the Kitchen Gods are not merely hearth deities but the household's closest witnesses, present for every joy, sorrow, and deed within a family's daily life throughout the year. The send-off ceremony on the 23rd of the 12th month therefore serves as an occasion for a family to reflect on the past year, while hoping the Kitchen Gods will report favorably, helping the family receive blessings and good fortune from the Jade Emperor in the new year. It also marks the "gateway" into the Lunar New Year atmosphere, prompting families to begin cleaning their homes and altars in preparation.

The Carp-Releasing Custom

One of the day's most distinctive and symbolic customs is releasing carp. Folk belief holds that carp are the only vehicle able to carry the Kitchen Gods to heaven, drawing on the familiar East Asian legend of the "carp transforming into a dragon", a symbol of perseverance and transcendence through hardship. On the 23rd of the 12th month, after performing the home ceremony, families typically purchase live carp (usually three, representing the three Kitchen Gods) and, once the rite is complete, release them into a nearby river, lake, or pond, believing the carp will transform into dragons to carry the gods to the heavenly court. The carp-releasing custom also carries an additional humane meaning of compassion and life-release rooted in Buddhist and Vietnamese folk belief.

Practices and offering trays vary somewhat by region. Northern Vietnam typically offers live carp for release; central Vietnam has a custom of offering a paper horse complete with saddle and bridle; while southern Vietnam often keeps things simpler with symbolic paper hats and robes instead of carp or a paper horse, though the core meaning of the day remains unchanged.

The Offering Tray and Traditional Items

The ông Công ông Táo offering tray is typically prepared thoroughly, including incense, flowers, candles, betel and areca nut, and paper hats, robes, and boots for the three Kitchen Gods, along with meat or vegetarian dishes depending on the family's means, such as sticky rice, boiled chicken, Vietnamese sausage, and bamboo-shoot soup. The ceremony is usually performed in the morning or before noon (the hour of Ngọ) on the 23rd of the 12th month, since folk belief holds that after noon the Kitchen Gods have already departed for the heavenly court, making a later offering no longer timely.

Ông Công Ông Táo in Modern Life

Despite the many changes of modern society, the ông Công ông Táo ceremony remains widely observed by Vietnamese families as an essential year-end rite. Beyond its spiritual meaning, the day also carries the value of prompting each person to reflect on what they have and have not accomplished over the past year, while kicking off the joyful bustle of preparing for a warm, reunited Lunar New Year.

Frequently asked questions

Why must the ông Công ông Táo ceremony be performed before noon on the 23rd of the 12th month?

Because folk belief holds that exactly at noon on the 23rd of the 12th month, the Kitchen Gods depart for the heavenly court, families typically complete the ceremony in the morning or before noon so the offerings reach them before their departure.

Why are carp released on ông Công ông Táo day?

Carp are believed to be the only vehicle able to carry the Kitchen Gods to heaven, tied to the folk legend of the "carp transforming into a dragon." After the ceremony, live carp are typically released into a nearby river or lake, both as a send-off for the gods and an expression of compassion.

Who are the three Kitchen Gods?

According to the folk legend, the three Kitchen Gods are Thị Nhi and her two husbands, Trọng Cao and Phạm Lang, commonly called "two men, one woman," deified by the Jade Emperor for their deep loyalty and entrusted with overseeing the household hearth and recording each family's deeds.

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References

  1. Phan Kế Bính, Việt Nam phong tục (1915)
  2. Nhất Thanh, Đất lề quê thói

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