Cham Brocade Weaving in Mỹ Nghiệp Village and the Legend of Goddess Pô Nagar
Mỹ Nghiệp village in Ninh Thuận keeps the Cham brocade weaving craft alive, tied to the legend of Goddess Pô Nagar and its heritage today.
Tra cứu
Hồ sơ giúp anh chị
Gói của Nhật Nguyệt
Hầu hết tiện ích không cần tài khoản. Hồ sơ để lưu và đọc tiếp.
Chọn ngôn ngữ
Trang này chưa có đủ ba bản ngôn ngữ.
Mỹ Nghiệp village in Ninh Thuận keeps the Cham brocade weaving craft alive, tied to the legend of Goddess Pô Nagar and its heritage today.
Vietnam's traditional crafts include bronze casting, silk weaving, conical hats, incense, drums, pottery and folk paintings, tied to craft villages.
Explore the meaning of red, crafting techniques, differences in men's and women's attire, and the cultural value of traditional Red Dao costumes.
The Lự people speak a Tày-Thái language and live mainly in Lai Châu, with worship customs and festivals tied to their own calendar.
Explore the traditional conical hat villages of Hue, the meticulous craft of the poem hat, and the cultural value of the conical hat in Vietnamese life.
Ede bridal attire is handwoven brocade on a dark indigo base with red and yellow patterns, also a dowry in matrilineal weddings.
The traditional costumes of the Lô Lô people in Hà Giang are a brocade masterpiece, with hand embroidery and vivid colors on pants, shirts, scarves and hats.
Northwest Vietnam culture covers ethnic communities, harvest rituals, seasonal festivals and crafts like weaving, embroidery, forging and silver carving.
The Fire Jumping Festival of the Pà Thẻn people is a sacred shamanic ritual seeking the fire god's protection, with barefoot jumps on glowing embers.
The Pà Thẻn live in Hà Giang and Tuyên Quang and speak a Hmông-Dao language. Their customs include ancestor worship and the new rice ceremony.
The Ede longhouse reflects matriarchy in its structure and carvings, and stands as a cultural symbol of the Central Highlands.
Discover the origins, history, and deep cultural significance of Ao Ba Ba, the traditional garment symbolizing Southern Vietnam.
Tây Nguyên culture centres on the gong space, the rông house and the matrilineal system. The article analyses their origins and how they are changing today.
The Katê Festival in Ninh Thuận centers on the ceremony of receiving Goddess Pô Nưgar's attire, kept by the Raglai and brought down to the Chăm.
Red Dao weddings in Tả Phìn, Sa Pa, have the bride walk to the groom's house alone, with days of rituals and a horn and drum team.
The wedding customs of the Black Thai in Sơn La include free courtship, a trial groom service, and the Tằng cẩu hair-bunning rite.
The Cham people (Chàm) speak a Malayo-Polynesian language and live mainly in Ninh Thuận, Bình Thuận and southern provinces, with the Katê festival.
The Lao in Vietnam call themselves Thay and Thay Duồn, speak a Tay-Thai language, live in Điện Biên, Lai Châu and Sơn La, and keep ancestor altars.
The Ê Đê live mainly in Đắk Lắk, southern Gia Lai, western Phú Yên and Khánh Hòa, speak a Malayo-Polynesian language and follow matrilineal customs.
Việt Bắc and Northeast Vietnam are two names with different scopes. This article analyses Then singing, market fairs, village life and local variations.
The Kate Festival is the Cham Brahmin New Year in Ninh Thuận, held in the 7th Cham month to honor deities, kings and ancestors.
The Tay are Vietnam's largest ethnic minority. They live in northeastern valleys, speak a Tay-Thai language, worship ancestors, and hold long tong festivals.
Month leader and day spirit set each line's strength in a Liu Yao hexagram, covering void in the decade, month breaker, and hidden movement.