Goddess Thien Y A Na and Po Nagar Tower: The Cham-Viet Faith Interweaving in Nha Trang
Explore the journey from the Cham goddess Po Inư Nagar to Thien Y A Na in Vietnamese belief, through the lens of the Po Nagar Tower festival in Nha Trang.
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Hồ sơ giúp anh chị
Gói của Nhật Nguyệt
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Explore the journey from the Cham goddess Po Inư Nagar to Thien Y A Na in Vietnamese belief, through the lens of the Po Nagar Tower festival in Nha Trang.
Từ Đạo Hạnh, Nguyễn Minh Không and Dương Không Lộ in Lĩnh Nam chích quái are tales of wonder about three monks of the Lý era, told as tales.
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Cư trần lạc đạo phú by Trần Nhân Tông: ten sections in Nôm and a closing verse in Hán, on living in the world while delighting in the Way.
Early 20th-century custom books record the lễ mát nhà rite and bùa trấn trạch talisman: who performed them, where it was posted, and Phan Kế Bính's critique.
Tet rites in southern Vietnam: welcoming the ancestors on the 30th, giao thừa offerings outdoors and indoors, Tết nhà on the third, farewell on the fourth.
Hue royal court Nha Nhac is the ceremonial music of the Nguyen dynasty, tied to the Nam Giao sacrifice and court rituals.
Hanoi death anniversaries, weddings and funerals run on unspoken rules of hierarchy, invitations and conduct, rooted in the elegant Tràng An character.
Quan họ, ca trù, chèo, xẩm, hát văn, đờn ca tài tử and nhã nhạc, together with regional folk songs, form the mosaic of Vietnamese folk music.
Anthropologists describe feng shui as a symbolic system for reading landscapes and a social tool within lineages. In the West, it became a home decor product.
Xông đất, xông nhà and đạp đất are one new-year custom. Books on the North, Huế and the South differ on its name, lộc-picking and the vào khem wait.
Four traditional Vietnamese house types compared: the northern three-bay house, Hue rường house, Central Highlands rông house and Northwest stilt house.
Khan Dong and Ao The were formal wear for Vietnamese men, reflecting elegance and propriety, now revived for Tet, weddings and ceremonies.
A natal chart maps the Sun, Moon and planets across the 12 zodiac signs and 12 houses at your birth moment, used in Western astrology.
Ok Om Bok is the Khmer moon worship festival in Southern Vietnam, with home and pagoda rituals and the Ghe Ngo boat race in Trà Vinh.
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Feng shui for west-facing houses: the Yang Metal element, who it suits, and how colors, materials and plants ease harsh afternoon sun.
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The 8th house rules transformation, shared resources, crisis, and rebirth in the astrological chart, showing how loss and change shape spiritual growth.
Many families burn a little votive paper after the year-end offering; the hóa vàng send-off comes on Tet days 3 to 7. The tray can go indoors or outdoors.
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Vietnam's Thanh Minh custom often means tending graves first, then offering to ancestors at home; this examines origins, sequence and exceptions in old texts.
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Northeast-facing houses belong to the Gen trigram and Earth element, tied to knowledge. See which elements match and what layout notes to keep in mind.
The 3rd House in astrology covers communication, thinking, learning, siblings and short trips, and how planets and signs shape your mind.
The Pơ Thi grave-leaving ceremony of the Gia Rai marks the end of the bond between the living and the dead, with tomb-house statues rich in culture.
The number of altars and incense bowls in a home is not fixed. This analysis draws on Gia lễ giản yếu and ethnographic records, with layouts for each case.
Custom books explain the Tiền Chủ as the first owner's spirit, why many homes keep a cây hương altar in the yard, and how offerings are made.
Tết in Sài Gòn: the Nguyễn Huệ flower market from 1960 and flower street from 2004, the flower boats of Bình Đông wharf, and how families keep Tết.
Chữ Nôm is the writing system Vietnamese people built from Chinese character material to record their own language, still seen on hoành phi and câu đối.
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Vietnam Entrepreneurs' Day on October 13 was recognized in 2004, tracing back to Ho Chi Minh's 1945 letter to the industrial and commercial sectors.
Thiền uyển tập anh records lives and verses of Vietnamese Chan masters of the Lý and Trần eras; scholars now read it as a deliberate arrangement.
407 rows of offering procedures: each row is how one rite is performed in one region within one tradition, with timing, place of offering, officiant, offerings with catalogue codes, order of steps, things to avoid and practical notes, plus the addresses of the source pages or the titles of source books. Where sources disagree is recorded in the ghi_chu column.