Tra cứu
Hồ sơ giúp anh chị
Gói của Nhật Nguyệt
Hầu hết tiện ích không cần tài khoản. Hồ sơ để lưu và đọc tiếp.
Chọn ngôn ngữ
Trang này chưa có đủ ba bản ngôn ngữ.
UNESCO recognised the Practice of the Mother Goddess worship of the Three Palaces of the Vietnamese people as an Intangible Cultural Heritage of Humanity at the 11th session of the Intergovernmental Committee, held in Addis Ababa, Ethiopia, on 1/12/2016 Vietnam time.
From the article “Mother Goddess Worship of the Three Palaces: UNESCO Heritage and Harmful Distortions to Distinguish”
After UNESCO recognition in 2016, medium masters and ban hoi still teach and uphold hau dong norms while adjusting practice to heritage conservation demands.
UNESCO inscribed Mother Goddess Worship of the Three Palaces in 2016, honoring the sky, forest and water Mothers, with Holy Mother Liễu Hạnh at its center.
The Mother Goddess Worship of Tam Phu venerates the Holy Mothers and deities of the universe, guiding people toward a practical life.
Saint Mother Liễu Hạnh, the only female saint among the Four Immortals, is tied to the three descents to earth and to the Three Realms Mother Goddess worship.
Đạo Mẫu is an indigenous Vietnamese folk belief. It worships Holy Mothers and female deities who govern the universe through the Four Palaces system.
Hue culture blends Nguyen dynasty court ritual with folk belief, Mother Goddess worship, and festivals like the Am Hon ceremony and Huệ Nam Temple festival.
Ông Hoàng Mười Temple Festival in Nghệ An holds its main ceremony on the 10th day of the tenth lunar month, tied to Mother Goddess worship.
Vietnam's 2016 Law on Belief and Religion separates belief from religion, yet researchers still debate whether Mother Goddess Worship is a religion.
The Ruc, a Chut subgroup in the Trường Sơn mountains, worship mountain and forest deities and hold that the dead return to the sacred forest.
The Phủ Dầy Festival in Nam Định, held in the third lunar month, honors Saint Mother Liễu Hạnh with Chau Van singing and Hau Dong mediumship.
Explore the in-depth meaning of the Three of Swords Tarot card: the pierced heart symbolism, pain, harsh truths, and the healing journey.
Southern Vietnamese culture blends village communal houses, worship of the Lady goddesses and a vivid dialect shaped by frontier settlement.
The Chùa Ông festival on Cù Lao Phố (Thất phủ cổ miếu, Đồng Nai), 9th to 13th of the first lunar month: Quan Công worship, rites, national heritage in 2023.
The Tây Thiên Festival runs from the 15th to the 17th of the second lunar month in Đại Đình Commune, Phú Thọ Province, honoring National Mother Lăng Thị Tiêu.
The worship of Thần Tài and Ông Địa in Vietnamese culture blends Chinese influence with ancient Thổ Địa beliefs, tracing a shift from farming to trade.
Tam đình splits the face into three parts: thượng đình from hairline to brows, trung đình from brows to nose tip, hạ đình from nose tip to chin.
The Nàng Hai Festival of the Tay people in Cao Bằng is a national intangible cultural heritage honoring the Moon Mother and her 12 fairy daughters.
Impermanence, suffering and non-self are the three marks of the teaching: body, mind and world all change, are unsatisfactory and have no fixed self.
Tết preserves across Vietnam: lotus-seed and kumquat mứt in Hà Nội, Kim Long ginger mứt in Huế, bánh tổ in Quảng, coconut mứt in the South.
Vietnamese cultural history appears through village spirit worship, Thành hoàng veneration, the Mother Goddess religion and the Hán Nôm archive.
Kitchen Gods worship on the 23rd of the last lunar month differs across Vietnam: the North worships early with carp release, the South worships late.
Ông Hoàng Bảy, a Le Dynasty general, is worshipped at Bảo Hà Temple in Lào Cai, blending hero veneration with Mother Goddess beliefs.
Tết Đoan Ngọ on 5/5 lunar: what to offer, whom to worship, how the three regions' trays differ, plus the kill-insects custom and worship hour.
Beyond the 23rd-of-Chạp send-off, Táo Quân watches over the hearth and household year-round. Explore the Kitchen God's everyday role and altar practice.
The worship of Ông Tà, a land-protecting deity in Southern Vietnam, comes from the Khmer Neak Ta and reflects Viet-Khmer cultural exchange.
Bà Chúa Kho of the Ly Dynasty, her legends, the year-opening custom of borrowing luck and the rituals at her temple in Bắc Ninh.
The Huong Pagoda Festival is Northern Vietnam's largest Buddhist festival, tied to the legend of Quan Âm Thị Kính at Hương Tích Cave.
Explore the symbolism of the Three of Cups Tarot card, from the image of three dancing women to its meaning of friendship, community, and celebration.
The 19th of the 2nd, 6th and 9th lunar months mark the three Quán Thế Âm festival days, symbolic Mahayana commemorations.
Rằm tháng 7 prayers include three texts for deities, ancestors, and wandering souls, with ritual order, offerings, and how to recite them.
Thái Ất Thần Số, one of the Tam Thức arts, read the fate of the state and natural disasters: the board, Host and Guest, and the accumulated-year count.
The Mother Âu Cơ Temple Festival in Phú Thọ runs on the 6th and 7th of the first lunar month, when female officiants lead rituals.
Ancestor worship is a long-standing Vietnamese custom, a moral standard, and a key part of spiritual life, with altars, death anniversaries, and Tet rituals.
Thổ Công and Thổ Địa guard the land of a Vietnamese home, distinct from the wealth-focused Thần Tài, worshipped as a triad with Thổ Kỳ.
Chôl Chnăm Thmây is the Khmer New Year, held in mid-April over three days with rituals like the Maha Sangkran procession and bathing the Buddha.
Village communal houses differ across the Northern Delta, the South, and the Mekong Delta waterways in architecture, deities, and festivals.
Lục Nhâm picks the Three Transmissions with nine methods in priority order: tặc khắc, tỷ dụng, thiệp hại, dao khắc, mão tinh, biệt trách and more.
Lục Nhâm derives its Three Transmissions through nine gates: tặc khắc, tỷ dụng, thiệp hại, dao khắc, mão tinh, biệt trách, bát chuyên, phục ngâm, phản ngâm.
Mỹ Nghiệp village in Ninh Thuận keeps the Cham brocade weaving craft alive, tied to the legend of Goddess Pô Nagar and its heritage today.
The three Chan lineages of the Lý era: Tì Ni Đa Lưu Chi, Vô Ngôn Thông and Thảo Đường. Their origins, transmission and how scholars read them.
Thăng Long Tứ Tran is four temples guarding the old capital: Bạch Mã in the east, Voi Phục in the west, Kim Liên in the south, Quán Thánh in the north.
Lady Trieu, born Triệu Thị Trinh in 226, led the 248 uprising against Wu rule. Her temple on Gai Mountain, Thanh Hóa, keeps national heritage festivals.
