Ba Na Ethnic Group: Where They Live, Their Language, Worship Customs and Main Festivals
The Ba Na live in Gia Lai, Kon Tum and western Binh Dinh, Phu Yen and Khanh Hoa, speak a Mon-Khmer language and keep many community festivals.
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Nguyễn Quang SángUnique marriage customs of the Ba Na peopleBa Na Ethnic Group: Where They Live, Their Language, Worship Customs and Main FestivalsGoddess Thien Y A Na and Po Nagar Tower: The Cham-Viet Faith Interweaving in Nha TrangThe 5th House: Creativity & Love in the Astrological Chart, MeaningCardinal Signs in Astrology: Traits and the Signs of the Group
The Lự People: Where They Live, Their Language, Worship Customs, and Main Festivals
The Lự people speak a Tày-Thái language and live mainly in Lai Châu, with worship customs and festivals tied to their own calendar.
Sayangva Festival of the Cho Ro People: Agricultural Beliefs and Community Vitality
The Sayangva Festival of the Cho Ro people in Dong Nai honors the rice spirit after harvest, giving thanks to nature and strengthening community bonds.
Rain Prayer Ceremony and Village Cleansing Ritual in the Lo Lo Cultural Festival
The Lo Lo people of Meo Vac, Ha Giang reenacted their Rain Prayer and Village Cleansing rituals at the 2024 Lo Lo Cultural Festival.
Katê Festival and the Indispensable Role of the Raglai People
The Katê Festival in Ninh Thuận centers on the ceremony of receiving Goddess Pô Nưgar's attire, kept by the Raglai and brought down to the Chăm.
Goddess Thien Y A Na and Po Nagar Tower: The Cham-Viet Faith Interweaving in Nha Trang
Explore the journey from the Cham goddess Po Inư Nagar to Thien Y A Na in Vietnamese belief, through the lens of the Po Nagar Tower festival in Nha Trang.
The 5th House: Creativity & Love in the Astrological Chart, Meaning
The 5th House in astrology governs creativity, romantic love, joy and children, showing how you express yourself and enjoy life.
Cardinal Signs in Astrology: Traits and the Signs of the Group
Aries, Cancer, Libra and Capricorn are the Cardinal signs. Their shared traits, strengths and weaknesses, and their role as initiators.
Hexagram 30 Thuần Ly (離, ䷝): Clinging and Illuminating in the I Ching
Hexagram 30 Thuần Ly in the I Ching explores clinging and illuminating. It covers the structure, judgment, six line texts, and the image.
What is Kim Bach Kim (White Gold) Na Yin in the Sexagenary Cycle? Five Elements Meaning
Kim Bach Kim (White Gold) Na Yin in the Sexagenary Cycle: its traits, the Five Elements cycles, and Feng Shui uses for this destiny.
What is Phu Dang Hoa (Lamp Fire) Na Yin in the Sexagenary Cycle? Five Elements Meaning
Phu Dang Hoa is the Na Yin for Giap Thin and At Ty years, a lamp flame in the dark night. Its five elements meaning shapes a quiet, resilient inner spirit.
Bunpimay New Year of the Lao in Vietnam: April Water Pouring and Its Rituals
Bunpimay, the Lao New Year in Vietnam, also called Bun Huột Nặm: offerings to the spirits, wrist-thread tying and water splashing in mid April.
Hexagram 36 Di Huo Ming Yi (地火明夷): Light Wounded, Holding to One's Path in Dark Times
Hexagram 36 Di Huo Ming Yi in the I Ching speaks of light wounded and dark times: the Judgment, the Image, and the six line texts of the classic.
Online Tu Vi Today: When Does Adaptation Become Creativity and When Does It Become a Mix of Truth and Falsehood?
Online Tu Vi today mixes real knowledge with misinformation. The line between adaptation and distortion lies in preserving the original framework.
What is the Thiên Hà Thủy (Heavenly River Water) Na Yin in the Sexagenary Cycle and its Five Elements meaning?
Thiên Hà Thủy is the Na Yin for Bính Ngọ and Đinh Mùi years, belonging to the Water element, symbolizing vastness, purity and flexibility.
Converting Lunar Dates to Solar Dates: What the Calculation Is Based On, and Why It Is Not a Fixed Addition and Subtraction Table
Lunar to solar conversion uses no fixed addition table. It relies on the new moon point, major solar terms and legal time zones, so it differs year by year.
How the I Ching Became a Classic: How Song Scholars Read the Changes, and the Routes the I Ching Took to Vietnam and the West
Canonized in 135 BCE, the I Ching was reread by Song scholars along image-number and meaning-principle lines, then spread to Vietnam and the West.
What Is the Sun Moon Both Bright Pattern: Conditions, Differences Between Schools, and Why Star Brightness Decides
Sun Moon Both Bright is a Purple Star pattern where the Sun and Moon stars are both strong, usually in the Ox or Goat palace.
Ky Cung and Ta Phu Temple Festivals in Lang Son: Rituals from the 22nd to the 27th of the First Lunar Month, and Why the Quan Lon Tuan Tranh Palanquin Is Carried to Ta Phu Temple
Lang Son's Ky Cung and Ta Phu Temple Festivals run from the 22nd to the 27th of the first lunar month, when the Quan Lon Tuan Tranh palanquin returns.
Van Thang Agarwood Carving Village in Khanh Hoa
Van Thang agarwood carving in Van Ninh, Khanh Hoa is a family trade over 100 years old, with 400 households and 700 workers, now eyed for community tourism.
Village Guardian Deity Worship (Thành Hoàng) in Vietnamese Culture
Thành Hoàng is the guardian deity believed to protect each Vietnamese village, worshipped at the communal đình. Its origins, deity types and royal decrees.
Van Trai Thuong Traditional Incense Village - Fragrance from Herbs
Van Trai Thuong incense village in Hung Yen makes handmade incense from natural herbs, creating fragrant, low-smoke sticks.
Van Phuc Silk Weaving Village: 10 Centuries of Brand Excellence
Van Phuc silk weaving village in Ha Dong, Hanoi, holds over 1,000 years of history and National Intangible Cultural Heritage status.
Imperial Edicts and Spirit Chronicles: How the Court Approved Village Deities, and Why Southern Village Communal Houses Also Worship Deities of Chinese, Cham, and Khmer Origin
Spirit chronicles and imperial edicts show how villages and the state shaped the Thanh Hoang, and why Southern communal houses worship other origins too.
Tra Dong Ancient Bronze Casting Village - A Thousand-Year Vietnamese Soul
Tra Dong bronze casting village in Thanh Hoa, over 1,000 years old, keeps hereditary secrets of clay mold making and alloy blending.
Thon Cao Incense Village - Preserving the Beauty of Vietnamese Spiritual Beliefs
Thon Cao incense village in Hung Yen is Northern Vietnam's largest incense-making craft village, its 18th-century craft tied to ancestress Dao Thi Khuong.
Where to Start When Setting Up a Liu Yao Hexagram: How the 64 Hexagrams Divide Into Eight Palaces, From the Pure Hexagram to the Fifth Generation, Wandering Soul and Returning Soul, What Element Each Palace Carries, and How Na Jia Assigns Heavenly Stems and Earthly Branches
The 64 hexagrams divide into eight palaces, from the pure hexagram through the fifth generation to Wandering Soul and Returning Soul.
Sinh Village Wrestling Festival (Lai An Village) in Hue: the 10th day of the first lunar month, wrestling rules, and a history of more than 400 years
Sinh Village wrestling festival in Lai An Village, Hue, falls on the 10th day of the first lunar month and follows the muddy back, white belly rule.
Viet Bac and Northeast Vietnam Culture: Then Singing, Market Fairs and Village Life
Viet Bac and Northeast Vietnam are two names with different scopes. This article analyses Then singing, market fairs, village life and local variations.
Dai Bai bronze casting village - the cradle of bronze craft in Northern Vietnam
Dai Bai village in Bac Ninh is the cradle of bronze casting in Northern Vietnam, with about 1000 years of history and refined engraving art.
The Century-Old Red-Fire Bronze Casting Village of Phuong Duc in Hue
Phuong Duc bronze casting village in Hue has a 400-year history, known for worship items and bells made through mold making and bronze pouring.
The Quintessence of Ngũ Xã Bronze Casting Village in the Heart of Hanoi
Ngũ Xã bronze casting village in Hanoi has over 400 years of history, known for sophisticated techniques and artworks of Thăng Long spirit.
Cham Brocade Weaving in My Nghiep Village and the Legend of Goddess Po Nagar
My Nghiep village in Ninh Thuan keeps the Cham brocade weaving craft alive, tied to the legend of Goddess Po Nagar and its heritage today.
South Central Coast Coastal Culture: Whale Worship, the Cau Ngu Festival, and Fishing Village Life
Whale worship and the Cau Ngu festival form the spiritual core of South Central Coast fishing villages, tied to the sea and fishermen's beliefs.
Red River Delta Culture: Village Life, Communal Houses, Pagodas and Worship Traditions in the Northern Delta
Red River Delta culture centres on village life, communal houses, pagodas, village gates and worship. A close look at Duong Lam, Phu Luu and Phuc Xa.
The conical hat craft of Lang Chuong village - the soul of the countryside in every hat
Lang Chuong village in Thanh Oai, Hanoi keeps its centuries-old conical hat craft alive through spinning techniques and hidden stitches.
Worship customs in Nghe An: lineage halls, Kim Lũy village temples and đền Cuông through three studies
Worship in Nghe An through three studies: ancestral rites at lineage halls, the three temples of Kim Lũy village, and đền Cuông, with lunar festival dates.
When is a grave exhumed for reburial, and after how many years? Custom and what to know
Exhumation for reburial usually follows the end of mourning, often after three to five years; current rules require at least 36 months. What to know.
The thousand-year-old Đọi Tam drum village: Buffalo skin, jackfruit wood, and the sound of festival drums
Đọi Tam drum village in Hà Nam has made drums for over 1,000 years, using buffalo skin and jackfruit wood and an artisan's ear for sound.
The Gong Culture Space of the Central Highlands
UNESCO recognized the Gong Culture Space of the Central Highlands in 2005. Gongs shape the spiritual life of the Ê Đê, Ba Na and Gia Rai.
Centennial Incense Villages: Keeping the Spiritual Bridge of Vietnamese People Alive
Discover Vietnam's century-old incense villages, where the spiritual culture is preserved through each handmade stick, from Quang Phu Cau to Thuy Xuan.
The Ro Mam People: Residence, Language, Worship Customs and Main Festivals
The Ro Mam people belong to the Mon-Khmer language group and live mainly in Kon Tum. Learn about their language, worship customs and main festivals.
The O Du Ethnic Group: Where They Live, Their Language, Worship Customs and Main Festivals
The O Du people speak a Mon-Khmer language and live mainly in Tuong Duong, Nghe An, known for the thunder welcoming festival and the house spirit cult.
The Co Tu People: Where They Live, Their Language, Worship Customs and Major Festivals
The Co Tu live in the Truong Son mountains of Quang Nam and Thua Thien Hue, speak a Mon-Khmer language, and hold buffalo sacrifice and reburial rites.
Nguyễn Quang Sáng
Writer and screenwriter known for the short story Chiếc lược ngà and the film screenplay Cánh đồng hoang
