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Red River Delta culture centres on village life, communal houses, pagodas, village gates and worship. A close look at Đường Lâm, Phù Lưu and Phúc Xá.
Mekong Delta culture grew from reclaiming southern lands and life along its rivers and canals, with floating markets and over 1,230 festivals.
Explore the meaning of red, crafting techniques, differences in men's and women's attire, and the cultural value of traditional Red Dao costumes.
Village communal houses differ across the Northern Delta, the South, and the Mekong Delta waterways in architecture, deities, and festivals.
The Rain Praying Festival in Hưng Yên honours the Four Dharma Goddesses with palanquin processions and the Danh Trang game, a wet-rice farming ritual.
Thất Tịch falls on the evening of the 7th day of the 7th lunar month, tied to the Ngưu Lang and Chức Nữ legend. Red bean chè is a young people's habit.
The fire jumping ritual of the Red Dao people in Yên Bái is held during maturity or exorcism ceremonies, with dancing on embers and prayers for peace.
Red Dao weddings in Tả Phìn, Sa Pa, have the bride walk to the groom's house alone, with days of rituals and a horn and drum team.
Lý Thường Kiệt led the Ly Dynasty victory on the Như Nguyệt River line in 1077, and his temple in Tam Giang, Yên Phong, Bắc Ninh honors that legacy.
Phường Đúc bronze casting village in Hue has a 400-year history, known for worship items and bells made through mold making and bronze pouring.
A Western Mekong Delta đám giỗ spans tiên thường, chánh giỗ and hậu thường. Hosting guests and giving take-home portions show a compassionate way of life.
Tet Nhay (Pút Tồng) is the key Bàn Vương worship ritual of the Red Dao in Lào Cai, tied to migration legends and performed in 11 steps with dances and music.
The Seven Red Star (Phá Quân) in Xuan Kong Flying Stars: its origins, five-element nature, and its auspicious and inauspicious meanings.
Thiên Hà Thủy is the Na Yin for Bính Ngọ and Đinh Mùi years, belonging to the Water element, symbolizing vastness, purity and flexibility.
Four traditional Vietnamese house types compared: the northern three-bay house, Hue rường house, Central Highlands rông house and Northwest stilt house.
Chèo is the folk musical theatre of the Red River Delta, played on a mat in the communal house yard, with old plays such as Quan Âm Thị Kính.
Ông Tơ bà Nguyệt comes from the Tang tale Định Hôn Điếm, reprinted in Thái Bình Quảng Ký: an old man reading by moonlight and red cords that bind couples.
Li xi is the Vietnamese New Year custom of giving lucky money in red envelopes. This article explains the origin of the term and its true meaning.
The Hue Imperial City sits on the north bank of the Perfume River, using Ngự Bình Mountain as its front screen and Hen and Dã Viên islets as its flanks.
Tống ôn, tống gió is a Mekong Delta ritual that sends epidemics and misfortune away by river. It explores how Covid-19 changed these ceremonies.
Fertility worship in Vietnam, or tín ngưỡng phồn thực, hopes for flourishing life and harvests. It appears in Linga–Yoni symbols and the Trò Trám festival.
Vietnam Book and Reading Culture Day on April 21: origins from Decision 1862/QD-TTg in 2021, honoring books, readers, and reading culture.
The National Mong Ethnic Culture Festival rotates among provinces with large Mong populations. Its 4th edition is in Điện Biên in October 2026.
UNESCO recognized the Gong Culture Space of the Central Highlands in 2005. Gongs shape the spiritual life of the Ê Đê, Ba Na and Gia Rai.
Northwest Vietnam culture covers ethnic communities, harvest rituals, seasonal festivals and crafts like weaving, embroidery, forging and silver carving.
Thành Hoàng is the guardian deity believed to protect each Vietnamese village, worshipped at the communal đình. Its origins, deity types and royal decrees.
The worship of Ông Tà, a land-protecting deity in Southern Vietnam, comes from the Khmer Neak Ta and reflects Viet-Khmer cultural exchange.
Tây Nguyên culture centres on the gong space, the rông house and the matrilineal system. The article analyses their origins and how they are changing today.
Death anniversary rituals in Vietnamese culture remember ancestors and bring families together. Organization should suit each family, staying simple and warm.
The worship of Thần Tài and Ông Địa in Vietnamese culture blends Chinese influence with ancient Thổ Địa beliefs, tracing a shift from farming to trade.
Yin yang, the Five Elements, the I Ching, Confucianism, Buddhism and Daoism: their origins, differences and how these systems blended into Vietnamese culture.
Việt Bắc and Northeast Vietnam are two names with different scopes. This article analyses Then singing, market fairs, village life and local variations.
Hue culture blends Nguyen dynasty court ritual with folk belief, Mother Goddess worship, and festivals like the Am Hon ceremony and Huệ Nam Temple festival.
Ruou can in the festival life of the E De and other Central Highlands groups: an offering to deities and a bond of community solidarity.
Explore the cultural significance, rituals, and uniqueness of traditional boat racing festivals across Vietnam, from Kiến Giang river to other regions.
Whale worship and the Cầu Ngư festival form the spiritual core of South Central Coast fishing villages, tied to the sea and fishermen's beliefs.
Bảy Núi Buffalo Racing Festival, a national intangible heritage of the Khmer people in An Giang, held during Sene Dolta with buffalo pairs pulling harrows.
Explore the origins of Eastern physiognomy, its facial and palm feature systems, and the place of face reading in Vietnamese culture through The Tale of Kieu.
Nhật Nguyệt is the Sino-Vietnamese pair for sun and moon, symbolizing yin and yang, time, and the cosmos in East Asian culture.
Tết markets in the North, Centre and South: what the year-end markets sell and why people go, from old accounts and present-day reports.
The Chu Ru are one of Vietnam's 54 ethnic groups, living in Lâm Đồng and Ninh Thuận and speaking a Malayo-Polynesian language.
