Chăm Bàu Trúc Pottery Art - UNESCO Cultural Heritage
Chăm Bàu Trúc pottery, a UNESCO intangible cultural heritage, is known for open-air firing and mold-free shaping. Here are its origins and conservation.
Results for "UNESCO heritage"
Giong Festival (Hanoi): UNESCO Intangible Cultural Heritage
Giong Festival at Soc Temple and Phù Đổng Temple in Hanoi honors Saint Giong, with its rituals and UNESCO heritage status.
Mother Goddess Worship of the Three Palaces: UNESCO Heritage and Harmful Distortions to Distinguish
UNESCO inscribed Mother Goddess Worship of the Three Palaces in 2016, honoring the sky, forest and water Mothers, with Holy Mother Liễu Hạnh at its center.
Medium Masters and Ban Hoi: How the Hau Dong Community Keeps Its Rules After UNESCO Recognition, from Gia Dong to the Fire Dance Ritual
After UNESCO recognition in 2016, medium masters and ban hoi still teach and uphold hau dong norms while adjusting practice to heritage conservation demands.
Hue Royal Court Nha Nhac: The Music of the Nam Giao Sacrifice and Nguyen Dynasty Court Ceremonies, What the Ensemble Includes, and Why UNESCO Recognized It
Hue royal court Nha Nhac is the ceremonial music of the Nguyen dynasty, tied to the Nam Giao sacrifice and court rituals.
Đông Hồ Folk Paintings: From Woodcut Blocks to an Intangible Cultural Heritage of Tet
Đông Hồ folk painting, a 500-year craft in Bắc Ninh, uses woodblock printing and natural colors. UNESCO listed it as heritage in need of urgent safeguarding.
Bà Chúa Xứ of Sam Mountain: From Southern Folk Belief to Intangible Cultural Heritage of Humanity
The Vía Bà Chúa Xứ festival at Sam Mountain joined UNESCO's heritage list in 2024, blending Kinh, Cham, Khmer and Hoa beliefs.
Bai Choi of Central Vietnam: A Tet Game and Folk Performance, How to Play, the Cards and the Ho Thai Calls
Bai Choi of Central Vietnam is a Tet game mixing folk singing with card draws, with about 30 cards and witty ho thai calls, inscribed by UNESCO in 2017.
Then Kin Pang Festival - Honoring Then Masters of the Thai People in Lai Châu
The Then Kin Pang Festival of the Thai people in Lai Châu honors Then masters and features solemn rituals plus folk games, held since 2000.
Ritual and Game of Tug of War: Sitting Tug of War at Trấn Vũ Temple, Bamboo Tug of War, and the Harvest-Praying Meaning of a Game Thought to Be Just for Fun
Sitting tug of war at Trấn Vũ Temple and bamboo tug of war in Hữu Chấp village are harvest-praying rituals, both UNESCO-listed in 2015.
Mường Lò Cultural and Tourism Festival 2026, themed "Essence of Thai Xoe, Colors of the Northwest": when it takes place, where, what is on, and why it is tied to Thai Xoe Art?
Mường Lò Cultural and Tourism Festival 2026 runs 1 to 7 October in Lào Cai, opening 20:00 on 2 October and marking five years of UNESCO-listed Thai Xoe.
Vía Bà Chúa Xứ Núi Sam Festival - A Cultural Heritage of Humanity
The Vía Bà Chúa Xứ Núi Sam Festival, the Mekong Delta's largest folk festival, honors the goddess protecting the border region.
Hung Kings Worship - Intangible Cultural Heritage of Humanity
The Hung Kings Worship, a UNESCO intangible cultural heritage, reflects Vietnam's tradition of remembering the source when drinking water.
Côn Sơn - Kiếp Bạc Festival: A Convergence and Spread of Heritage Values of Trần Hưng Đạo and Nguyễn Trãi
The Côn Sơn - Kiếp Bạc Festival honors Trần Hưng Đạo and Nguyễn Trãi, two figures tied to this land, at a UNESCO World Cultural Heritage site.
What is the Then practice of the Tày, Nùng and Thái peoples: Then masters, cầu an and giải hạn ceremonies, and the đàn tính lute according to the UNESCO dossier
Under Vietnam's 2019 UNESCO dossier, Then is a Tày, Nùng and Thái ritual led by Then masters, with cầu an and giải hạn rites, songs and the đàn tính lute.
What Types of Intangible Cultural Heritage Are There? Seven Types Under Vietnam's 2024 Cultural Heritage Law, and Where Traditional Crafts and Folk Knowledge Fit
Vietnam's Decree 39/2024/NĐ-CP sets seven types of intangible cultural heritage for inventory, with traditional crafts fifth and folk knowledge seventh.
Saint Giong - Phù Đổng Thiên Vương: From the Legend of Defeating the An Invaders to an Intangible Cultural Heritage of Humanity
Saint Giong, or Phù Đổng Thiên Vương, is one of the Four Immortals in Vietnamese folk belief, and the Giong Festival was recognized by UNESCO in 2010.
The Mother Goddess Worship of Tam Phu and the Hau Dong Ritual in Vietnamese Spiritual Life
The Mother Goddess Worship of Tam Phu venerates the Holy Mothers and deities of the universe, guiding people toward a practical life.
Tày Beliefs and Festivals: Then Singing, the Tính Lute, and the Lồng Tồng Festival
The Tày of Cao Bằng, Lạng Sơn and Tuyên Quang keep Then singing, the tính lute, and the Lồng Tồng festival, a heritage UNESCO inscribed in 2019.
What Is Bắc Ninh Quan Ho Folk Singing? Liền anh, liền chị and the Custom of Kết Chạ
Quan họ Bắc Ninh is call-and-response folk singing between liền anh and liền chị of twinned villages, inscribed by UNESCO in 2009.
What Is Ca Tru: Dao Nuong, Kep Dan, Quan Vien Cam Chau, How a Performance Unfolds, and Why This Heritage Almost Disappeared
Ca tru is an ancient Vietnamese chamber singing form with a dao nuong, a kep dan and a quan vien cam chau. This article explains its structure and revival.
Hát Xoan Phú Thọ: worship singing to the Hung Kings at the communal house gate, the four original Xoan guilds, and the journey from urgent safeguarding to representative heritage
Hát Xoan Phú Thọ is ritual singing at the communal house gate to worship the Hung Kings, performed in three stages by four original Xoan guilds in Việt Trì.
Vietnam Cultural Heritage Day, November 23: When Did It Begin and Why That Date?
Vietnam Cultural Heritage Day falls on November 23 under Decision 36/2005/QD-TTg, the date chosen because Ho Chi Minh signed Decree 65/SL in 1945.
What is tuồng (hát bội)? Face-painting art, Bình Định hát bội and the Đào Tấn heritage
Tuồng, or hát bội, is Vietnam's classical theatre, known for coded face-painting and for the plays of Đào Tấn in Bình Định, its heartland.
Does modernisation make Vietnamese people less likely to believe in spirits? Why temples, shrines and festivals grew busier after Đổi Mới
Anthropology finds modernisation does not erase spirit belief in Vietnam. Temples and festivals grew busier after Đổi Mới for several overlapping reasons.
What Genres Does Vietnamese Folk Music Include? An Overview of Quan Họ, Ca Trù, Chèo, Xẩm, Hát Văn, Đờn Ca Tài Tử and Nhã Nhạc
Quan họ, ca trù, chèo, xẩm, hát văn, đờn ca tài tử and nhã nhạc, together with regional folk songs, form the mosaic of Vietnamese folk music.
Hội Lim: The Largest Quan Ho Festival in the Kinh Bắc Region
Hội Lim is the largest Quan Ho festival in the Kinh Bắc region, held on the 13th day of the first lunar month at Lim Hill, Tiên Du, Bắc Ninh.
The Gong Culture Space of the Central Highlands
UNESCO recognized the Gong Culture Space of the Central Highlands in 2005. Gongs shape the spiritual life of the Ê Đê, Ba Na and Gia Rai.
Mo Mường and the Epic 'Đẻ đất đẻ nước' - A Folk Encyclopedia
Mo Mường, the Muong people's folk belief, and its epic 'Đẻ đất đẻ nước' form a cultural and historical treasure proposed for UNESCO recognition.
What is Tứ Bất Tử?
Tứ Bất Tử is the collective name for four immortal saints in Vietnamese folk belief: Tản Viên Sơn Thánh, Saint Giong, Chử Đồng Tử, and Holy Mother Lieu Hanh.
Xoe Thai: the Unity Circle, the Ancient Xoe Dances, and Xoe in the Rituals and Daily Life of the Thai People of the Northwest
Xoe Thai is the signature folk dance of the Thai people in Vietnam's Northwest, built on six ancient Xoe dances and inscribed by UNESCO in 2021.
Hùng Kings' Commemoration Day: Vietnam's National Ancestral Festival
Hùng Kings' Commemoration Day falls on the 10th day of the 3rd lunar month at Đền Hùng temple in Phú Thọ province, honoring the legendary Hùng Kings.
Phủ Dầy Festival: The Center of Mother Liễu Hạnh Worship
The Phủ Dầy Festival in Nam Định, held in the third lunar month, honors Saint Mother Liễu Hạnh with Chau Van singing and Hau Dong mediumship.
How cồng and chiêng differ in the Tây Nguyên cultural space
Cồng has a central boss, chiêng does not; both are brass gongs forming the Tây Nguyên cồng chiêng cultural space UNESCO inscribed in 2005.
Nghe Culture: Vi and Giam Folk Singing, the Tradition of Scholarly Pursuit, and Religious Life in the Nghệ Tĩnh Region
Nghe culture spans Nghệ An and Hà Tĩnh, home to UNESCO-listed vi and giam folk singing and a long tradition of scholarly pursuit.
Hung Kings Temple Festival (Phú Thọ): Origins and Distinctive Features
Origins, rituals and cultural values of the Hung Kings Temple Festival in Phú Thọ, held on the 10th day of the third lunar month to honor the Hung Kings.
Mo Mường in Funerals: The Mo Verses That Guide the Muong People Back to Their Ancestors
Mo Mường funeral verses guide the soul back to the ancestors in Mường Trời, with the Mo master as a bridge and ethical values for descendants.
Nguyễn Trãi (1380-1442): World Cultural Celebrity and His Years at Côn Sơn
Nguyễn Trãi, world cultural celebrity, was the soul of the resistance against the Ming and spent years at Côn Sơn writing and reflecting on benevolent rule.
Việt Bắc and Northeast Vietnam Culture: Then Singing, Market Fairs and Village Life
Việt Bắc and Northeast Vietnam are two names with different scopes. This article analyses Then singing, market fairs, village life and local variations.
Lê Quý Đôn
A great scholar of feudal Vietnam, author of many research works on history, geography, literature and philosophy