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Quan họ, ca trù, chèo, xẩm, hát văn, đờn ca tài tử and nhã nhạc, together with regional folk songs, form the mosaic of Vietnamese folk music.
Hầu đồng is the spirit mediumship ritual at the heart of Đạo Mẫu, believed to channel the Tứ Phủ deities through a medium.
The Mother Goddess Worship of Tam Phu venerates the Holy Mothers and deities of the universe, guiding people toward a practical life.
Ong Hoang Muoi Temple Festival in Nghe An holds its main ceremony on the 10th day of the tenth lunar month, tied to Mother Goddess worship.
The Con Son - Kiep Bac Festival honors Tran Hung Dao and Nguyen Trai, two figures tied to this land, at a UNESCO World Cultural Heritage site.
Tuồng, or hát bội, is Vietnam's classical theatre, known for coded face-painting and for the plays of Đào Tấn in Bình Định, its heartland.
Hát xẩm is a northern Vietnamese folk singing craft dated to about the 14th century, sung at markets, village yards and on Hanoi trams.
Hat Xoan Phu Tho is ritual singing at the communal house gate to worship the Hung Kings, performed in three stages by four original Xoan guilds in Viet Tri.
Viet Bac and Northeast Vietnam are two names with different scopes. This article analyses Then singing, market fairs, village life and local variations.
The 40 AD uprising of Trung Trac and Trung Nhi, its causes and significance, plus Hat Mon Temple in Hanoi, the sacred site tied to their final days.
The Quan Lang singing ritual in Tay weddings has three stages, Don, Nop and Dua, and is recognized as a national heritage.
Ca tru is an ancient Vietnamese chamber singing form with a dao nuong, a kep dan and a quan vien cam chau. This article explains its structure and revival.
The Tày of Cao Bằng, Lạng Sơn and Tuyên Quang keep Then singing, the tính lute, and the Lồng Tồng festival, a heritage UNESCO inscribed in 2019.
Kin Pang Then is the early-spring rite of the White Thái, led by Then masters to thank the spirits and their disciples; it is held in Mường Lay, Điện Biên.
Origins, rituals and cultural values of the Hung Kings Temple Festival in Phu Tho, held on the 10th day of the third lunar month to honor the Hung Kings.
The Thái of Vietnam's Northwest follow animist beliefs with guardian spirits and hold the Xên Bản Xên Mường rites and Hạn Khuống festival.
Cải lương grew in southern Vietnam from đờn ca tài tử and ca ra bộ; Cao Văn Lầu's 1919 song Dạ cổ hoài lang later became vọng cổ.
Vietnam's Decree 39/2024/NĐ-CP sets seven types of intangible cultural heritage for inventory, with traditional crafts fifth and folk knowledge seventh.
Xoe Thai is the signature folk dance of the Thai people in Vietnam's Northwest, built on six ancient Xoe dances and inscribed by UNESCO in 2021.
Whale worship and the Cau Ngu festival form the spiritual core of South Central Coast fishing villages, tied to the sea and fishermen's beliefs.
Long Tong, the Tay people's first plowing festival of spring, features rites to the Agriculture God and folk games wishing for a good year.
Nghinh Ong Song Doc Festival is the largest sea festival in Ca Mau, held each second lunar month with a sacred whale procession and fishermen's whale worship.
Bai Choi of Central Vietnam is a Tet game mixing folk singing with card draws, with about 30 cards and witty ho thai calls, inscribed by UNESCO in 2017.
The Khao Le The Linh Hoang Sa ceremony on Ly Son, Quang Ngai honours Hoang Sa soldiers with orations and model boats set adrift before Tu Linh boat races.
Quan họ Bắc Ninh is call-and-response folk singing between liền anh and liền chị of twinned villages, inscribed by UNESCO in 2009.
Explore the custom of black teeth staining, once a beauty standard of the Lu people in Lai Chau, along with other unique cultural values being preserved.
Explore the Tra Hat rain-praying festival of the Khmer Mu people in Dien Bien: origins, rituals, offerings, and profound agricultural cultural significance.
The Tria Lua seed planting festival of the Bru-Van Kieu people in Quang Binh thanks the rice god and prays for a bountiful harvest before the planting season.
The Bru - Van Kieu people number 94,598 and live along the Truong Son range in Quang Binh, Quang Tri, and Thua Thien Hue.
Explore the traditional conical hat villages of Hue, the meticulous craft of the poem hat, and the cultural value of the conical hat in Vietnamese life.
Vạn Hạnh was a monk of the Lý era, linked to the story of Lý Công Uẩn. His verse Thị đệ tử speaks of impermanence, life and death, rise and decline.
The Vietnamese ao dai evolved from the 17th century xiem canh sen garment through reforms under Lord Nguyen Phuc Khoat and King Minh Mang.
Vietnam's traditional crafts include bronze casting, silk weaving, conical hats, incense, drums, pottery and folk paintings, tied to craft villages.
Lý Bí (Lý Bôn) rose against the Liang, drove out the governor and took the throne in 544, founding Vạn Xuân and opening the Early Lý period.
Thổ Công and Thổ Địa guard the land of a Vietnamese home, distinct from the wealth-focused Thần Tài, worshipped as a triad with Thổ Kỳ.
Among the Pu Peo, a father stays home until his newborn is named, three days for girls and five for boys, to guard against evil spirits.
Vietnam recognises 54 ethnic groups under the 1979 official list, with the Kinh majority and 53 minority groups spread across all regions.
Tứ Hóa are the four stars Hóa Lộc, Hóa Quyền, Hóa Khoa and Hóa Kỵ in Tử Vi astrology, standing for prosperity, power, reputation and adversity.
Thủy Hỏa Ký Tế (No. 63) is the only hexagram with all six lines in correct position and paired. It teaches small success and a good start but chaotic end.
Mệnh vô chính diệu means the Mệnh palace holds no major star. Readers borrow stars from Thiên Di, though only 70 to 80 percent carries over.
A famous female poet with the poems Sóng, Thuyền và biển, Gió Lào cát trắng, Tự hát; posthumously awarded the Hồ Chí Minh Prize in literature and the arts.
Musician, author of the song 'Tiến quân ca', the national anthem of Vietnam
People's Artist, stage and television actress, theatre director, owner of Phu Nhuan Drama Stage
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