Village Guardian Deity Worship (Thành Hoàng) in Vietnamese Culture
Thành Hoàng is the guardian deity believed to protect each Vietnamese village, worshipped at the communal đình. Its origins, deity types and royal decrees.
Tra cứu
Hồ sơ giúp anh chị
Gói của Nhật Nguyệt
Hầu hết tiện ích không cần tài khoản. Hồ sơ để lưu và đọc tiếp.
Chọn ngôn ngữ
Trang này chưa có đủ ba bản ngôn ngữ.
Thành Hoàng is the guardian deity believed to protect each Vietnamese village, worshipped at the communal đình. Its origins, deity types and royal decrees.
Vietnamese folk belief includes ancestor worship, deity worship, Mother Goddess religion, agricultural beliefs, and rituals of many ethnic groups.
Vietnamese people rarely follow one religion; they layer ancestor worship, Thành hoàng, Mother Goddess, Hùng Vương and farming rites in daily life.
The Lê Chân Female General Festival in Hải Phòng honors the founder of An Biên village with rituals each second lunar month.
Thổ Công and Thổ Địa guard the land of a Vietnamese home, distinct from the wealth-focused Thần Tài, worshipped as a triad with Thổ Kỳ.
Vạn Thắng agarwood carving in Vạn Ninh, Khánh Hòa is a family trade over 100 years old, with 400 households and 700 workers, now eyed for community tourism.
Văn Trai Thượng incense village in Hưng Yên makes handmade incense from natural herbs, creating fragrant, low-smoke sticks.
Vạn Phúc silk weaving village in Hà Đông, Hanoi, holds over 1,000 years of history and National Intangible Cultural Heritage status.
Spirit chronicles and imperial edicts show how villages and the state shaped the Thành Hoàng, and why Southern communal houses worship other origins too.
Trà Đông bronze casting village in Thanh Hóa, over 1,000 years old, keeps hereditary secrets of clay mold making and alloy blending.
Thôn Cao incense village in Hưng Yên is Northern Vietnam's largest incense-making craft village, its 18th-century craft tied to ancestress Đào Thị Khương.
Sinh Village wrestling festival in Lại Ân Village, Hue, falls on the 10th day of the first lunar month and follows the muddy back, white belly rule.
Hoàn Kiếm Lake is not one of Thăng Long's four guardian temples, yet the returned sword legend sits at the old capital's spiritual center.
Chèo is the folk musical theatre of the Red River Delta, played on a mat in the communal house yard, with old plays such as Quan Âm Thị Kính.
Việt Bắc and Northeast Vietnam are two names with different scopes. This article analyses Then singing, market fairs, village life and local variations.
Hát xẩm is a northern Vietnamese folk singing craft dated to about the 14th century, sung at markets, village yards and on Hanoi trams.
Đại Bái village in Bắc Ninh is the cradle of bronze casting in Northern Vietnam, with about 1000 years of history and refined engraving art.
The Lô Lô people of Mèo Vạc, Hà Giang reenacted their Rain Prayer and Village Cleansing rituals at the 2024 Lô Lô Cultural Festival.
Ngũ Xã bronze casting village in Hanoi has over 400 years of history, known for sophisticated techniques and artworks of Thăng Long spirit.
Phường Đúc bronze casting village in Hue has a 400-year history, known for worship items and bells made through mold making and bronze pouring.
Mỹ Nghiệp village in Ninh Thuận keeps the Cham brocade weaving craft alive, tied to the legend of Goddess Pô Nagar and its heritage today.
Whale worship and the Cầu Ngư festival form the spiritual core of South Central Coast fishing villages, tied to the sea and fishermen's beliefs.
Bạch Mã Temple in Hanoi guards the East of Thăng Long's Four Guardian Temples and worships Long Đỗ, the city's tutelary god.
Red River Delta culture centres on village life, communal houses, pagodas, village gates and worship. A close look at Đường Lâm, Phù Lưu and Phúc Xá.
Làng Chuông village in Thanh Oai, Hanoi keeps its centuries-old conical hat craft alive through spinning techniques and hidden stitches.
Worship in Nghệ An through three studies: ancestral rites at lineage halls, the three temples of Kim Lũy village, and đền Cuông, with lunar festival dates.
Đọi Tam drum village in Hà Nam has made drums for over 1,000 years, using buffalo skin and jackfruit wood and an artisan's ear for sound.
Southern Vietnamese culture blends village communal houses, worship of the Lady goddesses and a vivid dialect shaped by frontier settlement.
Tet Doi is a festival of the Muong people in Thu Cúc commune, Phú Thọ, to invite the 'rice maidens' back to the village.
Village communal houses differ across the Northern Delta, the South, and the Mekong Delta waterways in architecture, deities, and festivals.
Từ Đạo Hạnh, Nguyễn Minh Không and Dương Không Lộ in Lĩnh Nam chích quái are tales of wonder about three monks of the Lý era, told as tales.
Giỗ hậu is the custom of people without heirs giving money or land to their clan, village, or pagoda to be offered ancestor rituals after death.
A guide to the Ten Gods (Thập Thần) in Bát Tự astrology, what each of the ten deity stars represents and how they relate to personality and career.
Cúng đất in Huế is held in the second and eighth lunar months, with three offering trays to thank the land deity and remember the former Chăm owners.
The Tay new rice festival on the 10th day of the tenth lunar month in Thái Nguyên includes family offerings and a village ceremony.
Thăng Long Tứ Tran is four temples guarding the old capital: Bạch Mã in the east, Voi Phục in the west, Kim Liên in the south, Quán Thánh in the north.
The Ruc, a Chut subgroup in the Trường Sơn mountains, worship mountain and forest deities and hold that the dead return to the sacred forest.
Hỉ Thần is a symbolic star in BaZi (Four Pillars of Destiny) that brings joy, happy events and favorable circumstances to the native.
The Thái of Vietnam's Northwest follow animist beliefs with guardian spirits and hold the Xên Bản Xên Mường rites and Hạn Khuống festival.