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Chọn ngôn ngữ
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Hiền Quan Phet Festival in Phú Thọ runs on the 12th and 13th of the first lunar month with palanquin procession, worship, troop march, and phet grabbing.
Mai Hoa Dịch Số builds I Ching hexagrams from numbers, sounds and moments instead of coins. Tradition assigns it to Thiệu Ung, without proof.
The Chùa Ông festival on Cù Lao Phố (Thất phủ cổ miếu, Đồng Nai), 9th to 13th of the first lunar month: Quan Công worship, rites, national heritage in 2023.
UNESCO recognized the Gong Culture Space of the Central Highlands in 2005. Gongs shape the spiritual life of the Ê Đê, Ba Na and Gia Rai.
Quan Công worship among Vietnam's Chinese community, seen through temples in Châu Đốc and Cà Mau that serve as places of worship and cultural centers.
Thiếu Âm is the fourth star of the Thái Tuế ring, placed by the birth year branch. Placement and meaning in four Vietnamese Tử Vi books.
Tết Hoa mào gà is the biggest yearly festival of the Cống in Điện Biên; in Pa Thơm it falls near the full moon of the 10th lunar month. Rites and meaning.
Cồng has a central boss, chiêng does not; both are brass gongs forming the Tây Nguyên cồng chiêng cultural space UNESCO inscribed in 2005.
Chúa Thác Bờ in Hòa Bình honours two female generals from the Lê Lợi era who ferried provisions across the Da River for his army.
Ông Công Ông Táo is the folk term for the three Kitchen Gods, Táo Quân, who watch over household affairs and report to the Jade Emperor.
Nguyễn Công Trứ's death anniversary, 14th day of the Eleventh Lunar Month in Nghi Xuân, Hà Tĩnh: 22 Dec 2026, rites, his life and the founding of Tiền Hải.
In Liu Yao, a moving line and the changed line it turns into are read as a pair, producing hoi dau sinh, hoi dau khac, hoa tien than, hoa thoai than and more.
Hồi đầu sinh, hồi đầu khắc, hóa không, hóa mộ, hóa tuyệt are the ways a moving line transforms in Lục Hào, explained via Tăng San Bốc Dịch.
Thiếu Dương is the second star of the Thái Tuế cycle, placed in the palace after Thái Tuế. Placement and meaning in four Vietnamese Tử Vi books.
Huyền Trân Princess Temple in Hue honors the Tran dynasty princess who expanded Vietnam's southern frontier. Its festival falls in the first lunar month.
Chu Công giải mộng is an anonymous folk dream-interpretation book, not the Duke of Zhou's work. This piece covers its origins, structure, and how to read it.
Tứ Hóa are the four stars Hóa Lộc, Hóa Quyền, Hóa Khoa and Hóa Kỵ in Tử Vi astrology, standing for prosperity, power, reputation and adversity.
Thổ Công and Thổ Địa guard the land of a Vietnamese home, distinct from the wealth-focused Thần Tài, worshipped as a triad with Thổ Kỳ.
Phi hóa: a palace's stem turns a star into Lộc, Quyền, Khoa or Kỵ and sends it to that star's palace. Tự hóa: it does so within itself.
The Sixty Jiazi is a cycle of 60 sexagenary combinations of Heavenly Stems and Earthly Branches used to number years, months, days and hours.
What Sơn Đầu Hỏa means in Lục Thập Hoa Giáp: its Fire element traits, and how Giáp Tuất and Ất Hợi natives can balance a strong, decisive nature.
The Tiên Công Festival on Hà Nam Island, Quảng Ninh runs to the 7th day of the first lunar month, with rites of carrying the elderly.
Dreaming of gold, silver or money in Chu Công giải mộng: the original lines of its gold and silver section, picking up money, sharing wealth, seasons.
Vietnam's Cong people live mainly in Lai Châu, speak a Tibeto-Burman language and keep ancestor worship and their own festivals.
Mai Hoa Dịch Số casts a hexagram from the lunar year, month, day, and hour: divide by 8 for the trigrams and by 6 for the moving line.
Chu Công giải mộng has no line for dreaming you are pregnant; it reads birth omens from other images: the sun in the bosom, a newborn, lost clothes.
Vạn Thắng agarwood carving in Vạn Ninh, Khánh Hòa is a family trade over 100 years old, with 400 households and 700 workers, now eyed for community tourism.
The ông Công ông Táo ceremony on the 23rd of the 12th lunar month sends the three Kitchen Gods to heaven to report on the family's deeds to the Jade Emperor.
Tây Nguyên culture centres on the gong space, the rông house and the matrilineal system. The article analyses their origins and how they are changing today.
The Xíp Xí Tet of the White Thai people in Vietnam's Northwest is a festival for children, with rituals to worship spirits and ward off disease.
Northwest Vietnam culture covers ethnic communities, harvest rituals, seasonal festivals and crafts like weaving, embroidery, forging and silver carving.
Dreaming of the dead, of deceased relatives: which lines Chu Công giải mộng records, which are good omens, which are bad, read from the original book.
International Children's Day on June 1 began in 1949 to honor children killed by Nazi Germany in Lidice and Oradour, and Vietnam has marked it since 1950.
The Katê Festival in Ninh Thuận centers on the ceremony of receiving Goddess Pô Nưgar's attire, kept by the Raglai and brought down to the Chăm.
Trùng Cửu Festival on the 9th day of the 9th lunar month features chrysanthemums, the custom of climbing high, and longevity wishes.
Dinh Cậu Phú Quốc Festival falls on the 15th and 16th of the 10th lunar month, with Nghinh Cậu, Yết Cậu and Chinh Te rituals honouring Chúa Ngọc Nương Nương.
NSND, comedian, famous for the role of Bắc Đẩu in the program Gặp nhau cuối năm - Táo quân
Poet and mandarin who led land reclamation and settlement campaigns under the Nguyễn dynasty
A forward who came up through the HAGL Arsenal JMG Academy, the first Vietnamese player to play in three countries: Japan, South Korea and Belgium.
Musician, author of more than 200 popular songs of Vietnamese modern music
Former captain and all-time leading scorer of the Vietnam national football team
Vietnamese pop singer, known for songs such as Bắc Bling, Thị Mầu and as the winner of Học viện Ngôi sao 2014
Vietnamese film actor, known for lead roles in the film 'Anh Hùng' and many other cinematic works.
155 types of Vietnamese offering rites in 15 groups, from ancestor and death-anniversary rites, Tết and the festivals of the year to funerals, communal houses and temples, and the rites of ethnic communities; each with alternative names, timing, recipients, a short description, classification axes (cycle, social setting, beings worshipped, tradition, ethnic group, cultural region), a structured date and sourced passages on its customs. It is the key table for Nhật Nguyệt's datasets on offering prayers and rite customs.
