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Gói của Nhật Nguyệt
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A đồng thầy is a person who came to the Mother Goddess first, has extensive spiritual experience, and understands how to conduct Mother Goddess ceremonies and ritual practice better than other followers. Within the bản hội, the đồng thầy is the guide, passing on the way of practice to disciples and building up the knowledge of the pantheon and rituals for newcomers.
From the article “Medium Masters and Ban Hoi: How the Hau Dong Community Keeps Its Rules After UNESCO Recognition, from Gia Dong to the Fire Dance Ritual”
After UNESCO recognition in 2016, medium masters and ban hoi still teach and uphold hau dong norms while adjusting practice to heritage conservation demands.
Thủy Hỏa Ký Tế (No. 63) is the only hexagram with all six lines in correct position and paired. It teaches small success and a good start but chaotic end.
Mệnh vô chính diệu means the Mệnh palace holds no major star. Readers borrow stars from Thiên Di, though only 70 to 80 percent carries over.
Hexagram 45, Tsui (Gathering Together, 萃), covers the judgment, image, and six lines on how groups form and why shared ground and trust hold them.
Thấu can is a stem exposed among the four pillars; thông căn is a stem rooted in a branch. Together they show whether that stem has real strength.
Integration and disintegration arrows in the Enneagram explain why each personality type keeps moving and changing with psychological states.
Trà Đông bronze casting village in Thanh Hóa, over 1,000 years old, keeps hereditary secrets of clay mold making and alloy blending.
Hầu đồng, also called lên đồng or hầu bóng, is the central ritual of Mother Goddess worship in Vietnam, where a medium incarnates the Four Palaces spirits.
Thiên Đồng is the Blessing Star, governing ease and gentleness. Explore its meaning, dignity, and the paradox of hardship turning to blessing.
Đông Tứ Trạch is a group of four dwelling orientations (Kham, Chan, Ly, Ton) in Bát Trạch feng shui, tied to people of Đông Tứ Mệnh.
Hầu đồng is the spirit mediumship ritual at the heart of Đạo Mẫu, believed to channel the Tứ Phủ deities through a medium.
Dong Chi is the 22nd solar term and the shortest day of the year. For the Chinese community it is Tết Đông Chi, a time for che troi nuoc and ancestor worship.
Cơ Nguyệt Đồng Lương in Vietnamese Tử Vi: its four stars, the verse tác lại nhân, and the occupations Tử Vi đẩu số tân biên lists for it.
Dinh Thầy Thím Festival runs from the 14th to the 16th of the Ninth Lunar Month with spirit welcoming, cộ bánh offerings, Thỉnh sanh, and Tiền hiền rites.
Đông Hồ folk painting, a 500-year craft in Bắc Ninh, uses woodblock printing and natural colors. UNESCO listed it as heritage in need of urgent safeguarding.
The Đồng Bằng Temple Festival runs from the 20th to 26th of the eighth lunar month in Hưng Yên, honoring King Father Bát Hải Động Đình.
The legend of Chử Đồng Tử and Tiên Dung, a poor man and a princess whose love story ends in deification among Vietnam's Four Immortals.
Khan Dong and Ao The were formal wear for Vietnamese men, reflecting elegance and propriety, now revived for Tet, weddings and ceremonies.
Emperor Quang Trung (Nguyễn Huệ) led the Tây Sơn movement and crushed 290,000 Qing troops at Ngọc Hồi - Đống Đa in 1789.
How the Phi Tinh school reads Hóa Kỵ in Tử Vi: Kỵ nhập, Kỵ xung, Lộc and Kỵ in one palace, and stacked Kỵ, following Từ Tăng Sinh's book.
Lập Đông is the 19th of the 24 solar terms, marking the start of winter and usually falling on 7 or 8 November each year.
Explore the position, characteristics, and physiognomic meaning of Đông Nhạc (left cheekbone) in the Five Peaks system of Eastern physiognomy.
Practitioners describe căn đồng as a spirit root that forces the trình đồng rite, while anthropologists read it as rebuilding self and social position.
Đông Sơn bronze drums: their dating, casting techniques, star motifs, Lac birds and frog figures, and what these reveal about ancient Vietnamese beliefs.
Kim Hoàng paintings are Tết folk prints on red paper, lost after the 1915 flood. They are set apart from Đông Hồ and Hàng Trống.
The Mother Goddess Worship of Tam Phu venerates the Holy Mothers and deities of the universe, guiding people toward a practical life.
Saint Giong, or Phù Đổng Thiên Vương, is one of the Four Immortals in Vietnamese folk belief, and the Giong Festival was recognized by UNESCO in 2010.
The placebo effect explains why feeling lighter after a ritual can be real, though it changes only subjective experience, not the disease itself.
Anthropology finds modernisation does not erase spirit belief in Vietnam. Temples and festivals grew busier after Đổi Mới for several overlapping reasons.
The 12th Tam Giac Mach Flower Festival opens on 6 November 2026 in Đồng Văn, Tuyên Quang, with blooms from October to December.
Three early 20th century recorders found fortune telling, day selection and mediumship widespread in northern Vietnam, each seeing them differently.
Dreaming of the dead, of deceased relatives: which lines Chu Công giải mộng records, which are good omens, which are bad, read from the original book.
The Công Đồng Bắc Lệ Temple Festival in Tân Thành Commune, Lạng Sơn runs from the 18th to 20th of the 9th lunar month, with the palanquin bathing rite.
Explore the Lùng Tùng Festival of the Thai people in the Northwest: origins, the Nàng Han ritual, agricultural significance, and festive activities.
Tử Vi and Thiên Phủ share a palace only at Dần and Thân. How the stars are placed and what four Vietnamese Tử Vi books say about this pairing.
Comparing the kut rite of Korean mudang with Vietnamese hau dong: practitioners, clients, music, dress, and how both adapted to the market economy.
Chu Công giải mộng has no line for dreaming you are pregnant; it reads birth omens from other images: the sun in the bosom, a newborn, lost clothes.
Why 14 major stars form only 24 same-palace combinations, the six groups led by Tử Vi and Phủ Tướng Sát Tham Phá, and how to read each pair correctly.
Dreaming of gold, silver or money in Chu Công giải mộng: the original lines of its gold and silver section, picking up money, sharing wealth, seasons.
Tống ôn, tống gió is a Mekong Delta ritual that sends epidemics and misfortune away by river. It explores how Covid-19 changed these ceremonies.
A guide to the Vietnamese groundbreaking ceremony: choosing an auspicious date, preparing offerings, and the ritual steps.
Northwest Vietnam culture covers ethnic communities, harvest rituals, seasonal festivals and crafts like weaving, embroidery, forging and silver carving.
Vũ Khúc and Tham Lang share a palace only at Sửu and Mùi. What Vietnamese Tử Vi books record about late prosperity after thirty, and where they differ.
A veteran pop singer with more than 15 years of career
The date and time the sun enters each zodiac sign, computed per year instead of using a fixed boundary.
132 things to avoid and practical notes for Vietnamese offering rites, across 38 rite types, one sentence per row in three languages with the rite, region, tradition, type and source page addresses. Taken only from reviewed procedure rows; it describes custom according to the sources and prescribes nothing.
155 types of Vietnamese offering rites in 15 groups, from ancestor and death-anniversary rites, Tết and the festivals of the year to funerals, communal houses and temples, and the rites of ethnic communities; each with alternative names, timing, recipients, a short description, classification axes (cycle, social setting, beings worshipped, tradition, ethnic group, cultural region), a structured date and sourced passages on its customs. It is the key table for Nhật Nguyệt's datasets on offering prayers and rite customs.
407 rows of offering procedures: each row is how one rite is performed in one region within one tradition, with timing, place of offering, officiant, offerings with catalogue codes, order of steps, things to avoid and practical notes, plus the addresses of the source pages or the titles of source books. Where sources disagree is recorded in the ghi_chu column.
456 prayers, orations, petitions and repentance verses in use, in print and online in Vietnam, one text per row with its rite type, part of the rite, region, tradition, text family, variants and fill-in slots. The wording is kept in Vietnamese as the source gives it; 348 texts carry the name and address of the source page, 108 are collected texts whose source is not named.
