Tày Beliefs and Festivals: Then Singing, the Tính Lute, and the Lồng Tồng Festival
The Tày of Cao Bằng, Lạng Sơn and Tuyên Quang keep Then singing, the tính lute, and the Lồng Tồng festival, a heritage UNESCO inscribed in 2019.
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The festival is usually held in early spring, during the first lunar month, in Tày and Nùng villages across the Northeast such as Cao Bằng, Lạng Sơn, Tuyên Quang, and Bắc Kạn, marking the start of the year's new agricultural season.
From the article “Tày Beliefs and Festivals: Then Singing, the Tính Lute, and the Lồng Tồng Festival”
The Tày of Cao Bằng, Lạng Sơn and Tuyên Quang keep Then singing, the tính lute, and the Lồng Tồng festival, a heritage UNESCO inscribed in 2019.
Lồng Tồng, the Tay people's first plowing festival of spring, features rites to the Agriculture God and folk games wishing for a good year.
The Tay are Vietnam's largest ethnic minority. They live in northeastern valleys, speak a Tay-Thai language, worship ancestors, and hold long tong festivals.
Lồng Tồng of the Tày, highland first-furrow festivals, and the Kinh tịch điền rite compared: who organizes each and how the core rite differs.
Five-color sticky rice is essential to the Tay people's Lồng Tồng festival, its colors drawn from natural leaves, roots and fruits with five-element meaning.
Tòng Cách is a special Four Pillars pattern: the Day Master is extremely weak, lacking root or peer support, and must follow the dominant element.
Hám Long Kinh and Nghi Long Kinh, traditionally attributed to Dương Quân Tùng: how they read dragon veins, the nine stars, and true versus branch dragons.
Tống ôn, tống gió is a Mekong Delta ritual that sends epidemics and misfortune away by river. It explores how Covid-19 changed these ceremonies.
Explore the concept of Long and Long Mach in Loan Đầu Feng Shui and Ngũ Quyết: origins, classifications, identification, and practical applications.
Tet Nhay (Pút Tồng) is the key Bàn Vương worship ritual of the Red Dao in Lào Cai, tied to migration legends and performed in 11 steps with dances and music.
Tam Long traces a dragon vein from its distant source peak through to tong son, thieu to son and phu mau son to where it settles.
Tết Nhảy of the Dao: the Pút tồng rite of the Red Dao in Lào Cai and the dance rite of the Dao Quần Chẹt, with their timing, dances and meaning.
Mekong Delta culture grew from reclaiming southern lands and life along its rivers and canals, with floating markets and over 1,230 festivals.
Long Đức is a star of the Thái Tuế ring in Vietnamese Tử Vi. See how it is placed from the birth-year Branch and what four Vietnamese books say.
Long Trì and Phượng Các stars in Zi Wei Dou Shu: their origins, meanings, palace placement, and how they combine with other stars.
Thanh Long, third star of the Bác Sĩ cycle from Lộc Tồn, is a Water-element auspicious star. This covers its placement, meaning, and classical readings.
Bronze casting for worship in Lộng Thượng, Y Yen and Đại Bái: how three villages keep a centuries-old craft alive against industrial pressure.
The story of Lạc Long Quân and Âu Cơ, the sack of one hundred eggs, as recorded in Đại Việt sử ký toàn thư and Đại Nam quốc sử diễn ca, and what is myth.
Thanh Long governs joy, Chu Tước speech and documents, Câu Trần land and stagnation. The six beasts only color a line already assessed for prosperity.
A look at eyebrow shapes in Vietnamese face reading: Quan Công, La Hán, tiger brow, sword brow, willow leaf, sparse brows, brow bone and key cautions.
Tòng cách and chuyên vượng cách in Bát Tự: when a rootless day master follows the dominant element, and when one element rules the chart.
Hoàn Kiếm Lake is not one of Thăng Long's four guardian temples, yet the returned sword legend sits at the old capital's spiritual center.
The Four Symbols guard the huye: Thanh Long left, Bạch Hổ right, Huyền Vũ behind, Chu Tước in front. This piece covers their shapes and the minh duong layers.
A guide to the Thăng Long Tu Tran spring pilgrimage: the order of the four temples, what to pray at each, and mistakes first-timers often make.
Bạch Mã Temple in Hanoi guards the East of Thăng Long's Four Guardian Temples and worships Long Đỗ, the city's tutelary god.
Vietnamese cultural history appears through village spirit worship, Thành hoàng veneration, the Mother Goddess religion and the Hán Nôm archive.
Explore the meaning of eyebrows in Eastern physiognomy: shape, length, color, and position reflect personality, destiny, and health.
Auspicious and inauspicious days classify a whole day by the twelve deities, while auspicious hours classify each two-hour block by that same set.
The Luo Pan is a Feng Shui compass used to find house and main door directions. Readings work best away from metal and magnetic interference.
How long is mourning, and which mourning dress goes with each degree of kinship? The rules in three old Vietnamese ritual books, up to trừ phục.
Thăng Long Tứ Tran is four temples guarding the old capital: Bạch Mã in the east, Voi Phục in the west, Kim Liên in the south, Quán Thánh in the north.
Ngũ Xã bronze casting village in Hanoi has over 400 years of history, known for sophisticated techniques and artworks of Thăng Long spirit.
Tong Ren (Union of Men), Hexagram 13 of the I Ching, joins Heaven and Fire. Its structure speaks of harmony, openness and shared purpose in cooperation.
Moles on the eyebrow carry meaning in folk physiognomy, often read as signs of luck and leadership. Position along the arch shapes the reading.
The Pentacles suit in Tarot reflects the Earth element: material life, work, money and the body. It traces patience and effort from the Ace to the Ten.
Explore the Tarot suit of Cups through the lens of the Water element: symbols, the journey from Ace to Ten, and the meanings of the court cards.
The Roóng Poọc Festival of the Giáy people in Sa Pa is a spring plowing ritual with the Neu tree, nem con, tug of war and plowing contests.
The Kate Festival is the Cham Brahmin New Year in Ninh Thuận, held in the 7th Cham month to honor deities, kings and ancestors.
Huyền Trân Princess Temple in Hue honors the Tran dynasty princess who expanded Vietnam's southern frontier. Its festival falls in the first lunar month.
The Fire Jumping Festival of the Pà Thẻn people is a sacred shamanic ritual seeking the fire god's protection, with barefoot jumps on glowing embers.
Emperor of the Early Lê dynasty, issuer of the Hồng Đức legal code and expander of the territory
Emperor of the Trần dynasty, Buddha Emperor, founder of the Trúc Lâm Yên Tử Zen school
People's Artist, cheo actor and comedian, associated with Tao Quan and the Army Cheo Theatre
Chairman of the Board of Directors of Hòa Phát Group