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Am Trach is grave feng shui, judged by huyen, minh duong and thuy khau, unlike Duong Trach for the living. It covers Pham Dinh Ho's view and cai tang.
Apophenia explains why the brain sees faces in clouds, repeating numbers and patterns in random data, plus where the line to delusion lies.
Whale worship and the Cau Ngu festival form the spiritual core of South Central Coast fishing villages, tied to the sea and fishermen's beliefs.
The Page of Wands in Tarot signals new beginnings, curiosity and a passion for exploration. Its Fire energy stirs self-discovery and inner calling.
Anxiety and ritual seeking track together in observational data, but experiments that induced lost control have not replicated.
Exhumation for reburial usually follows the end of mourning, often after three to five years; current rules require at least 36 months. What to know.
Hexagram 30 Thuần Ly in the I Ching explores clinging and illuminating. It covers the structure, judgment, six line texts, and the image.
Hexagram 36 Di Huo Ming Yi in the I Ching speaks of light wounded and dark times: the Judgment, the Image, and the six line texts of the classic.
Online Tu Vi today mixes real knowledge with misinformation. The line between adaptation and distortion lies in preserving the original framework.
Sun Moon Both Bright is a Purple Star pattern where the Sun and Moon stars are both strong, usually in the Ox or Goat palace.
Funeral customs across Northern, Central and Southern Vietnam differ in coffin size, burial timing and reburial, with Hue royal culture shaping Central rites.
Hexagram Heaven and Earth Pi (No. 12) puts Qian above Kun, so the two qi never meet and stagnation follows, the exact opposite of Tai.
Khổng Minh Thần Toán is a 384-card divination book matching 64 hexagrams with six moving lines, credited to Gia Cát Lượng by legend, not by histories.
Giỗ thường (cát kỵ) yearly rites need no full feast like giỗ đầu or giỗ hết. Core offerings: hương đèn, trầu cau, rượu trà, a bowl of upside-down rice.
Hexagram 57 Thuần Tốn in the I Ching: wind over wind, the Judgment, the Image, and the six line texts with interpretation.
Southern Khmer weddings feature the betel palm flower cutting ceremony that formalizes the union and the hand-tying ritual, a sacred moment binding two souls.
Bat Mon in Ky Mon Don Giap covers the eight gates Huu, Sinh, Thuong, Do, Canh, Tu, Kinh and Khai, their trigram and element origins, and which favor a matter.
The Four Green Star (Wen Chang) in Xuan Kong Flying Stars governs intelligence and learning. Its meanings, influence by palace, remedies and feng shui uses.
The Eight White Star in Xuan Kong Flying Stars: its Earth element nature, meanings across periods, and practical feng shui uses.
Thủy Hỏa Ký Tế (No. 63) is the only hexagram with all six lines in correct position and paired. It teaches small success and a good start but chaotic end.
Thien Viet star in Zi Wei Dou Shu: its position and meaning among the Six Auspicious Stars, and how it shapes intellect, scholarship and career.
Ta Fu is one of the Six Auspicious Stars in Zi Wei Dou Shu, standing for help from others. See its traits, palace meanings and star combinations.
Thanh Long governs joy, Chu Tuoc speech and documents, Cau Tran land and stagnation. The six beasts only color a line already assessed for prosperity.
Huu Bat is one of the Six Auspicious Stars in Zi Wei Dou Shu, symbolizing assistance, support and good fortune for the destiny holder.
In Mai Hoa Dich So, the trigram without the moving line is ti (the querent) and the trigram with the moving line is yong (the matter).
The Nine Purple Star (Cửu Tử Hữu Tinh) in Xuan Kong Flying Stars governs Fire, joy and wisdom, and can bring disputes or health issues.
Thien Khoi is one of Zi Wei Dou Shu's Six Auspicious Stars, governing scholarly honor, fame and intelligence. Its traits and combinations are explored.
The First White Star in Xuan Kong Flying Stars governs wealth, fame and intelligence in good positions, but disputes and illness in bad ones.
Discover the Van Khuc star in Zi Wei Dou Shu: its meaning, characteristics, position in palaces, and influence on wisdom, education, and literary talent.
Tam Bich (Zhen Mu) in Xuan Kong Flying Stars brings disputes and loss, yet can favour authority and fame when combined well.
Trùng tang, the hour of coffining and avoided burial days are folk beliefs from Bắc Kỳ; anthropology reads them as easing unease when someone dies.
The Second Black Star (Ju Men) in Xuan Kong Flying Stars governs illness, disputes and misfortune, yet can turn to wealth under favorable configurations.
Decode Thái Dương (Sun) star in Purple Star Astrology: origins, personality, dignity meanings, and readings for the Life, Career, and Marriage palaces.
Mieu, Vuong, Dac, Binh and Ham are the five brightness levels of a star in Tu Vi, and they explain why the same star reads oppositely in different palaces.
Discover kitchen feng shui principles: location, stove direction, colors, and remedies to attract wealth and health for your family.
Hexagram 35 Fire Over Earth (Jin) in the I Ching: the sun rising above the earth, a sign of advancing and being recognized.
Nhật Nguyệt pairs Thai Duong and Thai Am in Tu Vi, two stars whose meaning shifts with palace position and birth hour. Position decides how they read.
The Hoang Ốc count used before building a house in Vietnam: the six positions and why the digit-sum shortcut gives the same answer.
The eight du nien in Bat Trach, four good and four bad, plus how Duong Trach Tam Yeu places the door, master room, and kitchen.
Hexagram 55, Lei Huo Feng (豐), speaks of great prosperity and success, like the sun at noon, with a warning that once the sun peaks it will decline.
Hoang Ốc is a Vietnamese folk taboo checked before building a house, sorting lunar age into six positions, three of which are considered unfavourable.
Chol Chnam Thmay is the Khmer New Year, held in mid-April over three days with rituals like the Maha Sangkran procession and bathing the Buddha.
Singer-songwriter in the indie/alternative vein, runner-up of Giọng hát Việt 2013
A famous female poet with the poems Sóng, Thuyền và biển, Gió Lào cát trắng, Tự hát; posthumously awarded the Hồ Chí Minh Prize in literature and the arts.
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