Giong Festival (Hanoi): UNESCO Intangible Cultural Heritage
Giong Festival at Soc Temple and Phù Đổng Temple in Hanoi honors Saint Giong, with its rituals and UNESCO heritage status.
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Gói của Nhật Nguyệt
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Giong Festival at Soc Temple and Phù Đổng Temple in Hanoi honors Saint Giong, with its rituals and UNESCO heritage status.
Saint Giong, or Phù Đổng Thiên Vương, is one of the Four Immortals in Vietnamese folk belief, and the Giong Festival was recognized by UNESCO in 2010.
Tử Vi and Thiên Phủ share a palace only at Dần and Thân. How the stars are placed and what four Vietnamese Tử Vi books say about this pairing.
The Mother Goddess Worship of Tam Phu venerates the Holy Mothers and deities of the universe, guiding people toward a practical life.
Origins, rituals and cultural values of the Hung Kings Temple Festival in Phú Thọ, held on the 10th day of the third lunar month to honor the Hung Kings.
The Minor Arcana is the 56 cards left after the 22 Major Arcana. Four suits, Wands, Cups, Swords and Pentacles, cover everyday events.
Phù Ức is a balancing principle in BaZi that uses supportive deities when the Day Master is weak and restraining deities when it is strong to achieve harmony.
Lạng Sơn's Kỳ Cùng and Tả Phủ Temple Festivals run from the 22nd to the 27th of the first lunar month, when the Quan Lon Tuần Tranh palanquin returns.
The Đồng Bằng Temple Festival runs from the 20th to 26th of the eighth lunar month in Hưng Yên, honoring King Father Bát Hải Động Đình.
Hầu đồng, also called lên đồng or hầu bóng, is the central ritual of Mother Goddess worship in Vietnam, where a medium incarnates the Four Palaces spirits.
Quan Phù of the Thái Tuế ring and Quan Phủ of the Lộc Tồn ring: how each is placed and what four Vietnamese Tử Vi books say they mean.
Đông Tứ Trạch is a group of four dwelling orientations (Kham, Chan, Ly, Ton) in Bát Trạch feng shui, tied to people of Đông Tứ Mệnh.
Explore the meaning of Trung Phủ (cheekbones) in physiognomy: position, good and bad features, and its connection to power and personality.
Dong Chi is the 22nd solar term and the shortest day of the year. For the Chinese community it is Tết Đông Chi, a time for che troi nuoc and ancestor worship.
Tả Phù and Hữu Bật in Tử Vi: placed by lunar birth month from Thìn and Tuất, sharing Mùi (month 4) or Sửu (month 10), as read in Vietnamese Tử Vi books.
The Phù Lá people include the Phù Lá Lão, Phù Lá Đen and Phù Lá Hán groups, living in Hà Giang, Lào Cai, Yên Bái and Lai Châu.
Bệnh Phù governs illness and gossip in Tử Vi, but its palace and companion stars set the severity. This covers placement, meaning, and reading.
After UNESCO recognition in 2016, medium masters and ban hoi still teach and uphold hau dong norms while adjusting practice to heritage conservation demands.
The Phủ Dầy Festival in Nam Định, held in the third lunar month, honors Saint Mother Liễu Hạnh with Chau Van singing and Hau Dong mediumship.
Trà Đông bronze casting village in Thanh Hóa, over 1,000 years old, keeps hereditary secrets of clay mold making and alloy blending.
The Công Đồng Bắc Lệ Temple Festival in Tân Thành Commune, Lạng Sơn runs from the 18th to 20th of the 9th lunar month, with the palanquin bathing rite.
Khan Dong and Ao The were formal wear for Vietnamese men, reflecting elegance and propriety, now revived for Tet, weddings and ceremonies.
Trực Phù is the twelfth star of the Thái Tuế cycle in Vietnamese Tử Vi, one palace behind the birth-year branch. Placement and what four books say.
Thiên Đồng is the Blessing Star, governing ease and gentleness. Explore its meaning, dignity, and the paradox of hardship turning to blessing.
Hầu đồng is the spirit mediumship ritual at the heart of Đạo Mẫu, believed to channel the Tứ Phủ deities through a medium.
Explore Thiên Phủ in Purple Star Astrology: its treasury-of-heaven origin, steady nature, dignity meanings, and readings for Life, Wealth, and Career palaces.
Tet customs of the Dao Quần Chẹt people in Phú Thọ include making chung and day cakes, ancestor worship, and community rituals that mark the new year.
Emperor Quang Trung (Nguyễn Huệ) led the Tây Sơn movement and crushed 290,000 Qing troops at Ngọc Hồi - Đống Đa in 1789.
Practitioners describe căn đồng as a spirit root that forces the trình đồng rite, while anthropologists read it as rebuilding self and social position.
The Mother Âu Cơ Temple Festival in Phú Thọ runs on the 6th and 7th of the first lunar month, when female officiants lead rituals.
Phú Đăng Hỏa is the Na Yin for Giáp Thìn and Ất Tỵ years, a lamp flame in the dark night. Its five elements meaning shapes a quiet, resilient inner spirit.
Lập Đông is the 19th of the 24 solar terms, marking the start of winter and usually falling on 7 or 8 November each year.
Explore the position, characteristics, and physiognomic meaning of Đông Nhạc (left cheekbone) in the Five Peaks system of Eastern physiognomy.
Anthropology finds modernisation does not erase spirit belief in Vietnam. Temples and festivals grew busier after Đổi Mới for several overlapping reasons.
The Tử Phủ Vũ Tướng set in Vietnamese Tử Vi: its four stars, how they are placed, when the pattern forms and how three manuals read it.
Đông Hồ folk painting, a 500-year craft in Bắc Ninh, uses woodblock printing and natural colors. UNESCO listed it as heritage in need of urgent safeguarding.
Thai Phụ and Phong Cáo in Vietnamese Tử Vi: placement by birth hour or from Văn Khúc gives one result, with meanings as each book records them.
Tử Phù in Tử Vi: the sixth star of the Thái Tuế circle, five palaces clockwise from the birth-year branch, and what Vietnamese books say of it.
Kim Hoàng paintings are Tết folk prints on red paper, lost after the 1915 flood. They are set apart from Đông Hồ and Hàng Trống.
Tet Doi is a festival of the Muong people in Thu Cúc commune, Phú Thọ, to invite the 'rice maidens' back to the village.
Drawing fortune sticks at the temple at the start of the year: offerings, ritual steps, cultural meaning, and notes for a respectful visit.
The Do Temple Festival in Bắc Ninh honors 8 Ly Dynasty kings each year on the 15th day of the third lunar month with palanquin processions.
Bạch Mã Temple in Hanoi guards the East of Thăng Long's Four Guardian Temples and worships Long Đỗ, the city's tutelary god.
Ông Địa and Thần Tài are the household deities most often worshipped together in Vietnam. Their origins, meaning, and altar placement.
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155 types of Vietnamese offering rites in 15 groups, from ancestor and death-anniversary rites, Tết and the festivals of the year to funerals, communal houses and temples, and the rites of ethnic communities; each with alternative names, timing, recipients, a short description, classification axes (cycle, social setting, beings worshipped, tradition, ethnic group, cultural region), a structured date and sourced passages on its customs. It is the key table for Nhật Nguyệt's datasets on offering prayers and rite customs.