Trấn yểm in Vietnamese Folklore and Historical Records through the Story of Cao Biền
Trấn yểm in Vietnamese folklore through the Cao Biền story: legends of suppressing royal graves, burial charms, and the perspective of historical research.
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Trấn yểm in Vietnamese folklore through the Cao Biền story: legends of suppressing royal graves, burial charms, and the perspective of historical research.
The legend of Linh Son Thanh Mau centers on Ly Thi Thien Huong, canonized under the Nguyen dynasty, and the festivals at Ba Den Mountain.
Ancestor worship is a long-standing Vietnamese custom, a moral standard, and a key part of spiritual life, with altars, death anniversaries, and Tet rituals.
Saint Giong, or Phu Dong Thien Vuong, is one of the Four Immortals in Vietnamese folk belief, and the Giong Festival was recognized by UNESCO in 2010.
Tam Thức covers Thái Ất, Lục Nhâm and Kỳ Môn. This piece traces how it reached Vietnam and asks what is history and what is legend around Nguyễn Bỉnh Khiêm.
The Cold Food Festival on the 3rd day of the 3rd lunar month became a Vietnamese day for offering bánh trôi and bánh chay to ancestors.
Vietnamese folk belief includes ancestor worship, deity worship, Mother Goddess religion, agricultural beliefs, and rituals of many ethnic groups.
The legend of bánh chưng and bánh giầy: Lang Liêu, son of a Hùng king, offers cakes of glutinous rice. Where the tale is recorded and what it explains.
An Dương Vương, the state of Âu Lạc and Cổ Loa citadel in the old histories and the legend of the magic crossbow: the Thục house, dates and site.
Thành Hoàng is the guardian deity believed to protect each Vietnamese village, worshipped at the communal đình. Its origins, deity types and royal decrees.
Vietnamese customs and traditions are habits and rituals passed down through generations. Here is their definition, origins, and key Tet practices.
Cá Ông worship reveres whales as guardian spirits in Vietnamese fishing communities, with roots in the Cham sea god Po Riyak.
The worship of Ong Ta, a land-protecting deity in Southern Vietnam, comes from the Khmer Neak Ta and reflects Viet-Khmer cultural exchange.
Vietnamese life-cycle rituals mark birth, coming of age, marriage, death and remembrance, with ceremonies shared by many ethnic groups.
An overview of Vietnamese traditional cuisine by region: Tet dishes, ancestral trays, festivals, vegetarian food and local specialties, with cultural context.
Explore the cultural significance and role of betel and areca nut in Vietnamese wedding ceremonies, from legends to modern customs.
Thon Cao incense village in Hung Yen is Northern Vietnam's largest incense-making craft village, its 18th-century craft tied to ancestress Dao Thi Khuong.
Tra Dong bronze casting village in Thanh Hoa, over 1,000 years old, keeps hereditary secrets of clay mold making and alloy blending.
Vietnamese cultural history appears through village spirit worship, Thành hoàng veneration, the Mother Goddess religion and the Hán Nôm archive.
How Vietnamese histories judge Triệu Đà and Nam Việt: Đại Việt sử ký toàn thư counts the Triệu as a dynasty; Phan Khôi in 1936 argued for removing it.
The Mother Goddess Worship of Tam Phu venerates the Holy Mothers and deities of the universe, guiding people toward a practical life.
The tale of Mỵ Châu and Trọng Thủy as recorded in Đại Việt sử ký toàn thư and Việt Nam sử lược, with the comments of the old historians on it.
Explore the origins of Eastern physiognomy, its facial and palm feature systems, and the place of face reading in Vietnamese culture through The Tale of Kieu.
When business failed, older Vietnamese worshipped the God of Wealth and Earth God, rechecked the opening date, and held rituals to resolve bad luck.
The 19th of the 2nd, 6th and 9th lunar months mark the three Quan The Am festival days, symbolic Mahayana commemorations.
Tan Vien Son Thanh, or Son Tinh, leads the Four Immortals and symbolizes the conquest of nature and floods, with over 100 relics around Ba Vi mountain.
How old histories record the eighteen Hùng kings and the state of Văn Lang, and which parts are legend: the sources, the fifteen bộ and the Hùng cult.
The Huong Pagoda Festival is Northern Vietnam's largest Buddhist festival, tied to the legend of Quan Am Thi Kinh at Huong Tich Cave.
Hoan Kiem Lake is not one of Thang Long's four guardian temples, yet the returned sword legend sits at the old capital's spiritual center.
The legend of Chu Dong Tu and Tien Dung, a poor man and a princess whose love story ends in deification among Vietnam's Four Immortals.
What Shiji, the Book of the Later Han and the Shuijing zhu record about Giao Chỉ, Cửu Chân and the Lạc Việt, set beside Vietnamese histories.
Tu Bat Tu is the collective name for four immortal saints in Vietnamese folk belief: Tan Vien Son Thanh, Saint Giong, Chu Dong Tu, and Holy Mother Lieu Hanh.
Saint Mother Lieu Hanh, the only female saint among the Four Immortals, is tied to the three descents to earth and to the Three Realms Mother Goddess worship.
The Four Dharma Deities at Dau Pagoda in Bac Ninh blend Indian Buddhism with ancient Vietnamese nature worship of Cloud, Rain, Thunder and Lightning.
Origins, rituals and cultural values of the Hung Kings Temple Festival in Phu Tho, held on the 10th day of the third lunar month to honor the Hung Kings.
Nguyen Trai, world cultural celebrity, was the soul of the resistance against the Ming and spent years at Con Son writing and reflecting on benevolent rule.
Nhật Nguyệt is the Sino-Vietnamese pair for sun and moon, symbolizing yin and yang, time, and the cosmos in East Asian culture.
Tran Hung Dao, the general who led Dai Viet against the Mongols three times, became Duc Thanh Tran, a worshipped saint honoured at temples such as Kiep Bac.
The Nguyen Trung Truc Memorial Festival in Kien Giang runs each year from the 26th to 28th of the 8th lunar month, honoring the hero who died in 1868.
The Kinh (Viet) are 86.83% of Vietnam's population and speak Vietnamese of the Viet Muong group. Their villages and ancestor worship are covered here.
Chữ Nôm is the writing system Vietnamese people built from Chinese character material to record their own language, still seen on hoành phi and câu đối.
Chairman and General Director of Trung Nguyên Group
Vietnamese three-cushion carom billiards player, former World Cup three-cushion carom champion
National great poet, World Cultural Figure, author of Truyện Kiều
Leader of the uprising against the Đông Ngô army in 248
Poet and Vietnamese cultural figure of the modern era, known as Tam Nguyên Yên Đổ and the poet of Vietnamese village scenery with his autumn poem series
Emperor of the Early Lê dynasty, issuer of the Hồng Đức legal code and expander of the territory
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