Nghe Culture: Vi and Giam Folk Singing, the Tradition of Scholarly Pursuit, and Religious Life in the Nghệ Tĩnh Region
Nghe culture spans Nghệ An and Hà Tĩnh, home to UNESCO-listed vi and giam folk singing and a long tradition of scholarly pursuit.
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Hồ sơ giúp anh chị
Gói của Nhật Nguyệt
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Nghe culture spans Nghệ An and Hà Tĩnh, home to UNESCO-listed vi and giam folk singing and a long tradition of scholarly pursuit.
Quan họ Bắc Ninh is call-and-response folk singing between liền anh and liền chị of twinned villages, inscribed by UNESCO in 2009.
In Eastern physiognomy the eyes are the Giám Sát Quan, and spirit matters more than shape. Bright, clear eyes point to a clear mind and good fortune.
Nguyễn dynasty Khâm Thiên Giám compiled and issued calendars and logged heavenly signs; Đại Nam thực lục records its ranks.
Điều Hậu balances hot and cold in a Bát Tự chart. Cùng Thông Bảo Giám's readings of winter and summer charts, with concrete examples.
The Quan Làng singing ritual in Tay weddings has three stages, Don, Nop and Dua, and is recognized as a national heritage.
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Classical Tử Vi uses 12 palaces and 14 main stars to read destiny, while modern Tử Vi is a folk term for everyday chart lookup.
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The Tày of Cao Bằng, Lạng Sơn and Tuyên Quang keep Then singing, the tính lute, and the Lồng Tồng festival, a heritage UNESCO inscribed in 2019.
Tử Vi Đẩu Số is a traditional Vietnamese-Chinese astrological system that casts a twelve-palace chart from birth date and time.
Thiếu Dương is the second star of the Thái Tuế cycle, placed in the palace after Thái Tuế. Placement and meaning in four Vietnamese Tử Vi books.
How to place the 14 major stars of Tử Vi from the cục and lunar birth day: find the Tử Vi palace, then the Tử Vi and Thiên Phủ groups by the old verse.
Hỷ Thần in Tử Vi is the eighth star of the Lộc Tồn ring, counted forward or backward from Lộc Tồn. Placement table and meaning in Vietnamese Tử Vi books.
Friday the 13th stock studies give conflicting results, and any effect is tiny. Vietnamese lunar bad days have not been studied the same way.
The Tử Vi Đẩu Số Toàn Thư circulated in the Ming era, its preface crediting La Hồng Tiên with compiling it from works attributed to Hi Di Trần Đoàn.
Tử Vi is the Emperor Star, chief of the 14 main stars, governing authority and status. Explore its meaning, dignity, and interpretation across key palaces.
A 2024 study of Vietnamese firms links lower fixed asset investment to directors aged 49 to 53, the tuoi han years. The effect is larger in small firms.
Bạch Hổ in Tử Vi sits ninth in the Thái Tuế circle, placed by the birth year branch. How to place it and what four Vietnamese Tử Vi books say.
Tử vi trọn đời casts one chart from the birth hour to read a whole life through mệnh, thân, the twelve palaces and vận hạn. It is a conventional reading.
Thiếu Âm is the fourth star of the Thái Tuế ring, placed by the birth year branch. Placement and meaning in four Vietnamese Tử Vi books.
Vietnamese folk belief includes ancestor worship, deity worship, Mother Goddess religion, agricultural beliefs, and rituals of many ethnic groups.
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Phi Liêm, sao thứ bảy của vòng Bác Sỹ trong tử vi, chủ về cô độc và thị phi. Bài này phân tích cách an, ý nghĩa và cách luận giải sao này.
Bệnh Phù governs illness and gossip in Tử Vi, but its palace and companion stars set the severity. This covers placement, meaning, and reading.
Giáp cung in Tử Vi: why Kình Đà always flank Lộc Tồn, when Tả Hữu and Xương Khúc can flank Mệnh, and how Tử Vi Đẩu Số toàn thư ranks each case.
Tử Vi Đẩu Số has many branches, including Tam Hợp, Tứ Hóa, Trung Châu and Tân Biên. Each reads one chart differently through star sets and Tứ Hóa placement.
No birth month is best for everyone: Bát Tự reads the month by solar terms, Tử Vi by lunar months, and folk sayings on good birth months lack a firm basis.
Tử Vi Chân Cơ is the core-principle reading of Tử Vi, not a separate school. It differs from Bát Tự and Kinh Dịch in input data and basic units of judgment.
Điếu Khách is the eleventh star of the Thái Tuế cycle in Vietnamese Tử Vi, two palaces behind the birth-year branch. What four books record.
Long Đức is a star of the Thái Tuế ring in Vietnamese Tử Vi. See how it is placed from the birth-year Branch and what four Vietnamese books say.
Tang Môn in Tử Vi belongs to the Thái Tuế ring, governing sorrow, loss, and mourning. Its placement, meaning when holding Mệnh.
Is 40 too late to look for love? Tử Vi reads the Phu Thê palace and Cô Quả stars, psychology looks at marriage age. No single age is absolutely too late.
Annual fortune in Tử Vi is a short-term layer read by superimposing a time cycle onto the natal chart. See its calculation basis and where schools disagree.
Tai Sui in Tu Vi and Feng Shui: its origins in Jupiter and Chinese mythology, how to find its yearly position, and what offending Tai Sui means.
Moles on the earlobe in folk physiognomy: what a mole on the lobe, ear rim, or inside the ear canal is said to reveal about personality and fortune.
Vietnamese folk taboos for groundbreaking, construction and housewarming cover dates, directions and rituals, rooted in yin-yang and five elements.
Chest moles in folk physiognomy: what a mole on the right or left chest, or near the heart, is said to mean for personality and love.
Cheekbone moles in folk physiognomy: what location, color, and shape suggest about personality, career, and love for men and women.
Làng Chuông village in Thanh Oai, Hanoi keeps its centuries-old conical hat craft alive through spinning techniques and hidden stitches.
Southern bánh tét is a signature Tet offering that symbolizes prosperity and family reunion. See its origins, meaning and traditional wrapping methods.
The Fire Jumping Festival of the Pà Thẻn people is a sacred shamanic ritual seeking the fire god's protection, with barefoot jumps on glowing embers.
Xông đất, xông nhà and đạp đất are one new-year custom. Books on the North, Huế and the South differ on its name, lộc-picking and the vào khem wait.
Đọi Tam drum village in Hà Nam has made drums for over 1,000 years, using buffalo skin and jackfruit wood and an artisan's ear for sound.
Lồng Tồng, the Tay people's first plowing festival of spring, features rites to the Agriculture God and folk games wishing for a good year.
Chèo is the folk musical theatre of the Red River Delta, played on a mat in the communal house yard, with old plays such as Quan Âm Thị Kính.
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The Lự people speak a Tày-Thái language and live mainly in Lai Châu, with worship customs and festivals tied to their own calendar.
Folk belief holds that a funeral brings cold air affecting the living, so the sick stay away. Eastern medicine links this to yin-yang imbalance.