Traditional Vietnamese Funeral Customs and Their Meaning
Explore the main rites of a traditional Vietnamese funeral, from encoffining and mourning attire to burial and the 49-day rites, and their cultural meaning.
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Explore the main rites of a traditional Vietnamese funeral, from encoffining and mourning attire to burial and the 49-day rites, and their cultural meaning.
Vietnamese worship customs vary by region and ethnicity through environment, migration, and cultural exchange, not through one practice being more correct.
Vietnamese customs and traditions are habits and rituals passed down through generations. Here is their definition, origins, and key Tet practices.
Explore the deep cultural significance of traditional Vietnamese funerals, common burial forms, and trends of change in modern society.
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Thon Cao incense village in Hung Yen is Northern Vietnam's largest incense-making craft village, its 18th-century craft tied to ancestress Dao Thi Khuong.
Tra Dong bronze casting village in Thanh Hoa, over 1,000 years old, keeps hereditary secrets of clay mold making and alloy blending.
Southern Vietnamese culture blends village communal houses, worship of the Lady goddesses and a vivid dialect shaped by frontier settlement.
Worship in Nghe An through three studies: ancestral rites at lineage halls, the three temples of Kim Lũy village, and đền Cuông, with lunar festival dates.
Phong tục in English is custom, tập quán is usage, and truyền thống is tradition. See how the three differ, plus a vocabulary table of Vietnamese customs.
Vietnamese Lunar New Year customs: the Kitchen Gods send-off, New Year's Eve rites, first-footing, and lucky money, with the meaning behind each.
Van Thang agarwood carving in Van Ninh, Khanh Hoa is a family trade over 100 years old, with 400 households and 700 workers, now eyed for community tourism.
Van Trai Thuong incense village in Hung Yen makes handmade incense from natural herbs, creating fragrant, low-smoke sticks.
Van Phuc silk weaving village in Ha Dong, Hanoi, holds over 1,000 years of history and National Intangible Cultural Heritage status.
Spirit chronicles and imperial edicts show how villages and the state shaped the Thanh Hoang, and why Southern communal houses worship other origins too.
Sinh Village wrestling festival in Lai An Village, Hue, falls on the 10th day of the first lunar month and follows the muddy back, white belly rule.
Chèo is the folk musical theatre of the Red River Delta, played on a mat in the communal house yard, with old plays such as Quan Âm Thị Kính.
Cúng giỗ vọng and gửi giỗ: per Toan Ánh, those far from home send offerings to the head of the family and also make an offering from afar.
Hát xẩm is a northern Vietnamese folk singing craft dated to about the 14th century, sung at markets, village yards and on Hanoi trams.
Ngũ Xã bronze casting village in Hanoi has over 400 years of history, known for sophisticated techniques and artworks of Thăng Long spirit.
Phuong Duc bronze casting village in Hue has a 400-year history, known for worship items and bells made through mold making and bronze pouring.
Dai Bai village in Bac Ninh is the cradle of bronze casting in Northern Vietnam, with about 1000 years of history and refined engraving art.
Viet Bac and Northeast Vietnam are two names with different scopes. This article analyses Then singing, market fairs, village life and local variations.
The Lo Lo people of Meo Vac, Ha Giang reenacted their Rain Prayer and Village Cleansing rituals at the 2024 Lo Lo Cultural Festival.
Lễ hạ điền opens rice transplanting; lễ thượng điền marks formed ears or harvest end, both praying for good crops. Custom books differ on timing and names.
My Nghiep village in Ninh Thuan keeps the Cham brocade weaving craft alive, tied to the legend of Goddess Po Nagar and its heritage today.
Whale worship and the Cau Ngu festival form the spiritual core of South Central Coast fishing villages, tied to the sea and fishermen's beliefs.
Lang Chuong village in Thanh Oai, Hanoi keeps its centuries-old conical hat craft alive through spinning techniques and hidden stitches.
Red River Delta culture centres on village life, communal houses, pagodas, village gates and worship. A close look at Duong Lam, Phu Luu and Phuc Xa.
Vietnamese cultural history appears through village spirit worship, Thành hoàng veneration, the Mother Goddess religion and the Hán Nôm archive.
Tuổi mụ is the Vietnamese lunar way of counting age: current year minus birth year, plus one, and folk calculations use this number.
Đọi Tam drum village in Hà Nam has made drums for over 1,000 years, using buffalo skin and jackfruit wood and an artisan's ear for sound.
Fertility worship in Vietnam, or tín ngưỡng phồn thực, hopes for flourishing life and harvests. It appears in Linga–Yoni symbols and the Trò Trám festival.
Vietnamese folk belief includes ancestor worship, deity worship, Mother Goddess religion, agricultural beliefs, and rituals of many ethnic groups.
Explore the cultural significance and role of betel and areca nut in Vietnamese wedding ceremonies, from legends to modern customs.
Tet Doi is a festival of the Muong people in Thu Cuc commune, Phu Tho, to invite the 'rice maidens' back to the village.
The Vietnamese ao dai evolved from the 17th century xiem canh sen garment through reforms under Lord Nguyen Phuc Khoat and King Minh Mang.
The Le Chan Female General Festival in Hai Phong honors the founder of An Bien village with rituals each second lunar month.
Each dish at a Vietnamese wedding feast carries symbolic meaning, from red sticky rice to boiled chicken, pork rolls and braised pork.
The Kinh (Viet) are 86.83% of Vietnam's population and speak Vietnamese of the Viet Muong group. Their villages and ancestor worship are covered here.
The Ngái are one of Vietnam's 54 ethnic groups, with a very small population living scattered across Quảng Ninh, Hải Phòng, Bắc Giang, Lạng Sơn and Cao Bằng.
The Muong ethnic group speaks a Viet-Muong language and lives mainly in Hoa Binh, Thanh Hoa and Phu Tho, with mo epics, festivals and worship customs.
The Ha Nhi live along Vietnam's Chinese and Lao borders in Lai Chau and Lao Cai, speak a Tibeto-Burman language and worship ancestors by household.
Tết in Sài Gòn: the Nguyễn Huệ flower market from 1960 and flower street from 2004, the flower boats of Bình Đông wharf, and how families keep Tết.
The Lự people speak a Tày-Thái language and live mainly in Lai Châu, with worship customs and festivals tied to their own calendar.
Vietnam's traditional crafts include bronze casting, silk weaving, conical hats, incense, drums, pottery and folk paintings, tied to craft villages.
Poet and Vietnamese cultural figure of the modern era, known as Tam Nguyên Yên Đổ and the poet of Vietnamese village scenery with his autumn poem series
155 types of Vietnamese offering rites in 15 groups, from ancestor and death-anniversary rites, Tết and the festivals of the year to funerals, communal houses and temples, and the rites of ethnic communities; each with alternative names, timing, recipients, a short description, classification axes (cycle, social setting, beings worshipped, tradition, ethnic group, cultural region), a structured date and sourced passages on its customs. It is the key table for Nhật Nguyệt's datasets on offering prayers and rite customs.
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