Hội Lim: The Largest Quan Ho Festival in the Kinh Bắc Region
Hội Lim is the largest Quan Ho festival in the Kinh Bắc region, held on the 13th day of the first lunar month at Lim Hill, Tiên Du, Bắc Ninh.
Tra cứu
Hồ sơ giúp anh chị
Gói của Nhật Nguyệt
Hầu hết tiện ích không cần tài khoản. Hồ sơ để lưu và đọc tiếp.
Chọn ngôn ngữ
Trang này chưa có đủ ba bản ngôn ngữ.
Hội Lim is the largest Quan Ho festival in the Kinh Bắc region, held on the 13th day of the first lunar month at Lim Hill, Tiên Du, Bắc Ninh.
Lý Thường Kiệt led the Ly Dynasty victory on the Như Nguyệt River line in 1077, and his temple in Tam Giang, Yên Phong, Bắc Ninh honors that legacy.
The Do Temple Festival in Bắc Ninh honors 8 Ly Dynasty kings each year on the 15th day of the third lunar month with palanquin processions.
Đông Hồ folk painting, a 500-year craft in Bắc Ninh, uses woodblock printing and natural colors. UNESCO listed it as heritage in need of urgent safeguarding.
Bà Chúa Kho of the Ly Dynasty, her legends, the year-opening custom of borrowing luck and the rituals at her temple in Bắc Ninh.
Water puppetry is a folk stage art of Vietnam's wet-rice civilisation, performed on water with a hidden chamber and pavilion.
Luy Lâu is seen as one of the earliest places Buddhism reached Giao Châu, linked with chùa Dâu, the Tứ Pháp cult and Mâu Tử's Lý hoặc luận.
The Four Dharma Deities at Dau Pagoda in Bắc Ninh blend Indian Buddhism with ancient Vietnamese nature worship of Cloud, Rain, Thunder and Lightning.
Quan họ Bắc Ninh is call-and-response folk singing between liền anh and liền chị of twinned villages, inscribed by UNESCO in 2009.
Đại Bái village in Bắc Ninh is the cradle of bronze casting in Northern Vietnam, with about 1000 years of history and refined engraving art.
Northern Vietnam worship includes ancestor veneration, Thành hoàng, Mother Goddess and folk rites, reflecting uống nước nhớ nguồn and the wish for peace.
Red River Delta culture centres on village life, communal houses, pagodas, village gates and worship. A close look at Đường Lâm, Phù Lưu and Phúc Xá.
The Ngái are one of Vietnam's 54 ethnic groups, with a very small population living scattered across Quảng Ninh, Hải Phòng, Bắc Giang, Lạng Sơn and Cao Bằng.
The Rain Praying Festival in Hưng Yên honours the Four Dharma Goddesses with palanquin processions and the Danh Trang game, a wet-rice farming ritual.
Phường Đúc bronze casting village in Hue has a 400-year history, known for worship items and bells made through mold making and bronze pouring.
Sitting tug of war at Trấn Vũ Temple and bamboo tug of war in Hữu Chấp village are harvest-praying rituals, both UNESCO-listed in 2015.
The Grand Memorial for Buddha Emperor Trần Nhân Tông's Parinirvana is held at Cung Trúc Lâm, Yên Tử and Ngọa Vân Pagoda each year.
Huyền Quang (Lý Đạo Tái), third patriarch of the Trúc Lâm Zen school after Trần Nhân Tông and Pháp Loa, is profiled via his life, deeds and surviving poetry.
Bronze casting for worship in Lộng Thượng, Y Yen and Đại Bái: how three villages keep a centuries-old craft alive against industrial pressure.
How old histories record the eighteen Hùng kings and the state of Văn Lang, and which parts are legend: the sources, the fifteen bộ and the Hùng cult.
Chèo is the folk musical theatre of the Red River Delta, played on a mat in the communal house yard, with old plays such as Quan Âm Thị Kính.
Quan họ, ca trù, chèo, xẩm, hát văn, đờn ca tài tử and nhã nhạc, together with regional folk songs, form the mosaic of Vietnamese folk music.
Under Vietnam's 2019 UNESCO dossier, Then is a Tày, Nùng and Thái ritual led by Then masters, with cầu an and giải hạn rites, songs and the đàn tính lute.
Tet feast trays in Northern, Central, and Southern Vietnam differ in ingredients and meaning, from banh chung in the North to banh tet in the South.
Cao Đài Founding Day marks the 1926 Hoang khai Dai dao Tam Kỳ Phổ Độ, held around the tenth lunar month full moon at Tây Ninh Holy See.
The Yên Tử Festival honours Emperor-Buddha Trần Nhân Tông, founder of the Trúc Lâm Zen sect, with its rituals and spiritual meaning.
Northern and Southern Vietnamese family altars differ in structure, arrangement, generations honored and five-fruit tray choices.
Mường Lò Cultural and Tourism Festival 2026 runs 1 to 7 October in Lào Cai, opening 20:00 on 2 October and marking five years of UNESCO-listed Thai Xoe.
The Dao are one of Vietnam's 54 ethnic groups. Where they live, their Hmong-Dao language, ancestor and Bàn Vương worship, and cap sac rites.
Hát xẩm is a northern Vietnamese folk singing craft dated to about the 14th century, sung at markets, village yards and on Hanoi trams.
Đờn ca tài tử Nam Bộ rests on 20 root pieces and improvised playing around the đờn mat, with a direct line into cải lương.
Ramưwan, the month of fasting and prayer of the Chăm Bà Ni: grave visiting, ancestral offerings and the retreat of the dignitaries at the mosque.
The Nung live mainly in Vietnam's northeastern provinces and speak a Tay-Thai language. Their customs center on ancestor worship and festivals.
Tắc Xình is the Sán Chay (Cao Lan) people's dance for the Harvest Prayer Festival, mimicking the whole swidden farming cycle from clearing fields to harvest.
The Sán Chay people include the Cao Lan and Sán Chỉ groups of northeast Vietnam. Their languages, stilt houses, altars and festivals are covered here.
Southern Vietnamese culture blends village communal houses, worship of the Lady goddesses and a vivid dialect shaped by frontier settlement.
The Côn Sơn - Kiếp Bạc Festival honors Trần Hưng Đạo and Nguyễn Trãi, two figures tied to this land, at a UNESCO World Cultural Heritage site.
Tết trồng cây began with Ho Chi Minh's article signed Trần Lực in Nhân Dân on 28 November 1959 and was first held at Tết Canh Tý 1960.
The Làm Chay Festival in Tầm Vu, Tây Ninh runs on the 15th and 16th of the first lunar month, with rituals welcoming Ong Tieu and more.
Cổ Lễ Pagoda (Ong) Festival, Ninh Bình: 13th to 16th of the 9th lunar month, main day the 14th. In 2026 that is 22 to 25 October; in 2027, 12 to 15 October.
The eight du nien in Bát Trạch, four good and four bad, plus how Dương Trạch Tam Yếu places the door, master room, and kitchen.
Ngũ Quan (五官) means the five facial features: eyes, nose, mouth, ears and eyebrows. Eastern physiognomy uses them to read character and destiny.