The Mother Goddess Worship of Tam Phu and the Hau Dong Ritual in Vietnamese Spiritual Life
The Mother Goddess Worship of Tam Phu venerates the Holy Mothers and deities of the universe, guiding people toward a practical life.
Results for "Mother Goddess worship"
Is Mother Goddess worship a religion?
This is a point on which researchers do not fully agree. Nguyễn Quốc Tuấn (2004) raised the question of viewing Liễu Hạnh Mother Goddess worship as a popular religious entity, arguing that in the essence of its manifestations it is no different from the great religions. However, this is a working hypothesis of one author, not a conclusion that has been agreed. In practice, Mother Goddess worship has rites, a community of followers and bản hội, but no central church and no unified scriptures like organised religions.
From the article “What Beliefs Do Vietnamese People Follow? A Map of Major Folk Beliefs and How They Differ from Religion”
What Beliefs Do Vietnamese People Follow? A Map of Major Folk Beliefs and How They Differ from Religion
Vietnamese people rarely follow one religion; they layer ancestor worship, Thành hoàng, Mother Goddess, Hùng Vương and farming rites in daily life.
Is Mother Goddess Worship a Folk Belief or a Religion? The Debate Among Researchers and the Definition in Vietnam's 2016 Law on Belief and Religion
Vietnam's 2016 Law on Belief and Religion separates belief from religion, yet researchers still debate whether Mother Goddess Worship is a religion.
What Is Đạo Mẫu (Đạo Mẫu), Vietnam's Mother Goddess Worship?
Đạo Mẫu is an indigenous Vietnamese folk belief. It worships Holy Mothers and female deities who govern the universe through the Four Palaces system.
Hue Culture: Rituals, Mother Goddess Worship, and the Life of the Ancient Capital
Hue culture blends Nguyen dynasty court ritual with folk belief, Mother Goddess worship, and festivals like the Am Hon ceremony and Huệ Nam Temple festival.
Saint Mother Liễu Hạnh: The Only Female Saint in the Four Immortals and the Mother Goddess Worship of the Three Realms
Saint Mother Liễu Hạnh, the only female saint among the Four Immortals, is tied to the three descents to earth and to the Three Realms Mother Goddess worship.
Ông Hoàng Mười Temple Festival (Nghệ An): main festival on the 10th day of the tenth lunar month, Mother Goddess worship and national intangible cultural heritage
Ông Hoàng Mười Temple Festival in Nghệ An holds its main ceremony on the 10th day of the tenth lunar month, tied to Mother Goddess worship.
Nàng Hai Festival (Moon Mother) - Fertility Belief of the Tay People in Cao Bằng
The Nàng Hai Festival of the Tay people in Cao Bằng is a national intangible cultural heritage honoring the Moon Mother and her 12 fairy daughters.
How Is the Tây Thiên Festival (Full Moon of the Second Lunar Month) Held in Memory of National Mother Lăng Thị Tiêu?
The Tây Thiên Festival runs from the 15th to the 17th of the second lunar month in Đại Đình Commune, Phú Thọ Province, honoring National Mother Lăng Thị Tiêu.
Why do worship customs differ across regions and ethnic groups in Vietnam?
Vietnamese worship customs vary by region and ethnicity through environment, migration, and cultural exchange, not through one practice being more correct.
Worship Practices in Northern Vietnam: Forms, Rituals and Their Meaning in Vietnamese Life
Northern Vietnam worship includes ancestor veneration, Thành hoàng, Mother Goddess and folk rites, reflecting uống nước nhớ nguồn and the wish for peace.
Công Đồng Bắc Lệ Temple Festival (Bắc Lệ Temple), Tân Thành Commune, Lạng Sơn: 18th to 20th of the 9th lunar month, palanquin bathing rite and the main Mother banquet
The Công Đồng Bắc Lệ Temple Festival in Tân Thành Commune, Lạng Sơn runs from the 18th to 20th of the 9th lunar month, with the palanquin bathing rite.
Bà Chúa Xứ of Sam Mountain: From Southern Folk Belief to Intangible Cultural Heritage of Humanity
The Vía Bà Chúa Xứ festival at Sam Mountain joined UNESCO's heritage list in 2024, blending Kinh, Cham, Khmer and Hoa beliefs.
The Legend of Linh Sơn Thánh Mẫu and the Bà Đen Mountain Festival
The legend of Linh Sơn Thánh Mẫu centers on Lý Thị Thiên Hương, canonized under the Nguyen dynasty, and the festivals at Bà Đen Mountain.
The God of Wealth in a Market Economy: Why the God of Wealth Day Keeps Drawing Bigger Crowds
Worship of Thần Tài has Chinese roots but surged with Vietnam's market economy. Researchers show traders are the main group seeking gods of fortune.
Chợ Củi Temple Festival and the Death Anniversary of Saint Hoàng Mười (10th day of the 10th lunar month) in Nghi Xuân, Hà Tĩnh: who is worshipped, what the festival includes, and how Chợ Củi Temple differs from Ông Hoàng Mười Temple in Nghệ An
The Chợ Củi Temple Festival in Nghi Xuân, Hà Tĩnh honours Saint Hoàng Mười and the Three Holy Mothers, and differs from Nghệ An's Ông Hoàng Mười Temple.
Does modernisation make Vietnamese people less likely to believe in spirits? Why temples, shrines and festivals grew busier after Đổi Mới
Anthropology finds modernisation does not erase spirit belief in Vietnam. Temples and festivals grew busier after Đổi Mới for several overlapping reasons.
Mother Goddess Worship of the Three Palaces: UNESCO Heritage and Harmful Distortions to Distinguish
UNESCO inscribed Mother Goddess Worship of the Three Palaces in 2016, honoring the sky, forest and water Mothers, with Holy Mother Liễu Hạnh at its center.
What Does Vietnamese Folk Belief Encompass?
Vietnamese folk belief includes ancestor worship, deity worship, Mother Goddess religion, agricultural beliefs, and rituals of many ethnic groups.
Phủ Dầy Festival: The Center of Mother Liễu Hạnh Worship
The Phủ Dầy Festival in Nam Định, held in the third lunar month, honors Saint Mother Liễu Hạnh with Chau Van singing and Hau Dong mediumship.
Huong Pagoda Festival and the Legend of Goddess of Mercy at Huong Pagoda
The Huong Pagoda Festival is Northern Vietnam's largest Buddhist festival, tied to the legend of Quan Âm Thị Kính at Hương Tích Cave.
Cham Brocade Weaving in Mỹ Nghiệp Village and the Legend of Goddess Pô Nagar
Mỹ Nghiệp village in Ninh Thuận keeps the Cham brocade weaving craft alive, tied to the legend of Goddess Pô Nagar and its heritage today.
Goddess Thien Y A Na and Po Nagar Tower: The Cham-Viet Faith Interweaving in Nha Trang
Explore the journey from the Cham goddess Po Inư Nagar to Thien Y A Na in Vietnamese belief, through the lens of the Po Nagar Tower festival in Nha Trang.
How Long Is the Cultural History of the Vietnamese People?
Vietnamese cultural history appears through village spirit worship, Thành hoàng veneration, the Mother Goddess religion and the Hán Nôm archive.
How Having a Dragon Year Baby Affects the Mother: Zodiac Belief as a Natural Experiment in Economics
Economists use Dragon year birth timing to measure how a first child affects mothers' employment, and what that timing reveals about ethnic identity.
What does 'First day Tet for father, second day Tet for mother, third day Tet for teacher' mean?
The Vietnamese saying about the first three days of Tet: day one for the father's side, day two for the mother's side, day three for one's teachers.
Mother Âu Cơ Temple Festival in Phú Thọ: the 7th day of the first lunar month as the day of the Fairy's descent, the female officiants' ritual, and why the offerings are one hundred cakes
The Mother Âu Cơ Temple Festival in Phú Thọ runs on the 6th and 7th of the first lunar month, when female officiants lead rituals.
What is Hầu đồng?
Hầu đồng, also called lên đồng or hầu bóng, is the central ritual of Mother Goddess worship in Vietnam, where a medium incarnates the Four Palaces spirits.
The Worship of Ông Hoàng Bảy - the National Defense General at Bảo Hà Temple
Ông Hoàng Bảy, a Le Dynasty general, is worshipped at Bảo Hà Temple in Lào Cai, blending hero veneration with Mother Goddess beliefs.
Medium Masters and Ban Hoi: How the Hau Dong Community Keeps Its Rules After UNESCO Recognition, from Gia Dong to the Fire Dance Ritual
After UNESCO recognition in 2016, medium masters and ban hoi still teach and uphold hau dong norms while adjusting practice to heritage conservation demands.
The Four Dharma Deities (Cloud, Rain, Thunder, Lightning) Worship at Dau Pagoda: Origins and Identity
The Four Dharma Deities at Dau Pagoda in Bắc Ninh blend Indian Buddhism with ancient Vietnamese nature worship of Cloud, Rain, Thunder and Lightning.
Red River Delta Culture: Village Life, Communal Houses, Pagodas and Worship Traditions in the Northern Delta
Red River Delta culture centres on village life, communal houses, pagodas, village gates and worship. A close look at Đường Lâm, Phù Lưu and Phúc Xá.
Southern Vietnamese Culture: Village Communal Houses, the Worship of the Lady Goddesses, Dialect and an Open Way of Life
Southern Vietnamese culture blends village communal houses, worship of the Lady goddesses and a vivid dialect shaped by frontier settlement.
Traditional Ancestral Worship Trays by Region
Vietnamese ancestral worship trays reflect regional character: the North favors formality, the Central region is lavish, and the South is simple yet refined.
Fertility Worship in Traditional Vietnamese Culture
Fertility worship in Vietnam, or tín ngưỡng phồn thực, hopes for flourishing life and harvests. It appears in Linga–Yoni symbols and the Trò Trám festival.
Whale Worship (Cá Ông) Among Vietnamese Fishing Communities
Cá Ông worship reveres whales as guardian spirits in Vietnamese fishing communities, with roots in the Cham sea god Po Riyak.
Hung Kings Worship - Intangible Cultural Heritage of Humanity
The Hung Kings Worship, a UNESCO intangible cultural heritage, reflects Vietnam's tradition of remembering the source when drinking water.
South Central Coast Coastal Culture: Whale Worship, the Cầu Ngư Festival, and Fishing Village Life
Whale worship and the Cầu Ngư festival form the spiritual core of South Central Coast fishing villages, tied to the sea and fishermen's beliefs.
How Does Ancestor Worship Differ Across Regions of Vietnam?
Vietnamese ancestor worship varies by region, ethnicity and setting, from the central altar to Cửu huyền thất tổ honored in some southern communal houses.
Village Guardian Deity Worship (Thành Hoàng) in Vietnamese Culture
Thành Hoàng is the guardian deity believed to protect each Vietnamese village, worshipped at the communal đình. Its origins, deity types and royal decrees.
Hungry Ghost Festival on the 15th Day of the 7th Lunar Month: The Meaning of the 'Absolution of the Dead' Ritual in Folk Belief
The Hungry Ghost Festival on the 15th day of the 7th lunar month blends Buddhist and Taoist roots, with offerings for wandering spirits.
Hexagram 44 Thiên Phong Cấu (姤): The Unplanned Encounter and Why a Newly Born Yin Line Is Taken Seriously
Hexagram 44 Thiên Phong Cấu, one newly born yin line beneath five yang lines, speaks of sudden encounters and how to spot a new shoot while it is still small.
The Xun Trigram in the Eight Trigrams: Symbolism and Meaning
The Xun trigram (☴) symbolizes Wind, penetration and flexibility in the I Ching, and it also stands for the eldest daughter and the Southeast.
Things to avoid and practical notes for Vietnamese offering rites
132 things to avoid and practical notes for Vietnamese offering rites, across 38 rite types, one sentence per row in three languages with the rite, region, tradition, type and source page addresses. Taken only from reviewed procedure rows; it describes custom according to the sources and prescribes nothing.
Vietnamese offering procedures
407 rows of offering procedures: each row is how one rite is performed in one region within one tradition, with timing, place of offering, officiant, offerings with catalogue codes, order of steps, things to avoid and practical notes, plus the addresses of the source pages or the titles of source books. Where sources disagree is recorded in the ghi_chu column.
Vietnamese offering prayers (văn cúng)
456 prayers, orations, petitions and repentance verses in use, in print and online in Vietnam, one text per row with its rite type, part of the rite, region, tradition, text family, variants and fill-in slots. The wording is kept in Vietnamese as the source gives it; 348 texts carry the name and address of the source page, 108 are collected texts whose source is not named.