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Hexagram 52 Thuần Cấn in the I Ching teaches the way of knowing when to stop: the judgment on 'stopping at the back' and the six line texts from toe to cheek.
Shan Ze Sun, hexagram 41 of the I Ching, holds that what is below decreases so what is above gains. Its Judgment, Image and six line texts are covered here.
Hexagram 33, Thiên Sơn Độn, covers timely retreat: the Qian and Gen trigrams, the Judgment, the six line texts, and lessons on preserving oneself.
Hỏa Thủy Vị Tế is hexagram 64, the last of the I Ching, its six lines out of position yet paired. Its texts show why it ends on 'not yet complete'.
Hexagram 46 Địa Phong Thăng in the I Ching describes gradual ascent and small efforts accumulating into something great.
Hexagram 40, Lôi Thủy Giải, forms with Chấn above Khảm. It covers the Judgment, Image, and six line texts on loosening and forgiveness.
Hexagram Phong Thủy Hoán, number 59 in the I Ching, covers the Judgment, the Image and all six line texts, plus gathering people's hearts when things scatter.
Hexagram 34, Lei Tian Da Zhuang, covers great strength and its limits, with its structure, Judgment, six line texts and lessons on conduct.
Hexagram 47 Trạch Thủy Khốn in the I Ching describes depleted resources and words that go unheeded, with the Judgment, Image, and six line texts.
Hexagram 11, Earth over Heaven Tai, has inner Qian and outer Kun, heaven and earth in harmony. It covers the judgment, image, six line texts and commentaries.
Hexagram 39 Thủy Sơn Kiển describes a time when the road ahead is blocked, covering the Judgment, the six lines, and the lessons of hardship.
Hexagram 56 Hỏa Sơn Lữ concerns the way of the wanderer in a strange land: small success, staying upright, humility brings peace, arrogance invites disaster.
Hexagram Heaven and Earth Pi (No. 12) puts Qian above Kun, so the two qi never meet and stagnation follows, the exact opposite of Tai.
Hexagram 55, Lei Huo Feng (豐), speaks of great prosperity and success, like the sun at noon, with a warning that once the sun peaks it will decline.
Hexagram 42 Phong Lôi Ích in the 64 I Ching hexagrams: wind above thunder below, the Judgment, the Image, and reducing the top to add to the bottom.
Hexagram 57 Thuần Tốn in the I Ching: wind over wind, the Judgment, the Image, and the six line texts with interpretation.
Hexagram 45, Tsui (Gathering Together, 萃), covers the judgment, image, and six lines on how groups form and why shared ground and trust hold them.
A practical guide to reading the five major lines as one interacting system, with steps for comparing both hands and staying objective.
Hexagram 38 Hỏa Trạch Khuê in the I Ching concerns separation and difference. It explains the Judgment, the Image, and the six line texts.
Hexagram 35 Fire Over Earth (Jin) in the I Ching: the sun rising above the earth, a sign of advancing and being recognized.
A Kinh Dịch hexagram stacks several layers of text: name, hexagram text, six line texts, then the Thoán, Great Image, Small Image, and Văn Ngôn.
The Self Line marks the querent, the Response Line marks the other party in Liu Yao. Their positions decide how the whole hexagram is assigned and read.
How to read the Marriage Line on the palm: its position below the little finger, plus length, depth, clarity and intersecting lines.
Hexagram 61 Phong Trạch Trung Phu concerns inner sincerity. It covers the Judgment, Image, six line texts, the Sequence, and practical lessons.
In Liu Yao, a moving line and the changed line it turns into are read as a pair, producing hoi dau sinh, hoi dau khac, hoa tien than, hoa thoai than and more.
Hexagram 30 Thuần Ly in the I Ching explores clinging and illuminating. It covers the structure, judgment, six line texts, and the image.
Nguyệt phá in Lục Hào is a line clashed by the month branch. How Tăng san bốc dịch decides when such a line is broken to the end and when it is not.
Hexagram 44 Thiên Phong Cấu, one newly born yin line beneath five yang lines, speaks of sudden encounters and how to spot a new shoot while it is still small.
Hexagram 29 Kan (Tập Khảm, 坎, ䷜) stacks Kan over Kan, danger upon danger. The Judgement, Image, and six line texts, plus how to pass through peril.
Moving lines and the changed hexagram in Lục Hào: how the original hexagram turns into another and in what order Tăng san bốc dịch reads them.
Thanh Long governs joy, Chu Tước speech and documents, Câu Trần land and stagnation. The six beasts only color a line already assessed for prosperity.
Hexagram 54 Lei Ze Gui Mei in the I Ching covers entering a bond without holding the initiative, with the judgment, six line texts and the Image.
The six I Ching line positions carry labels such as de wei, de zhong, ying, bi, cheng and qi, shown in a position table.
Hexagram 36 Di Huo Ming Yi in the I Ching speaks of light wounded and dark times: the Judgment, the Image, and the six line texts of the classic.
Ám động is a strong static line clashed by the day; nhật phá is a weak one. How Tăng San Bốc Dịch tells the two apart when reading a hexagram.
Four ways to cast an I Ching hexagram, yarrow stalks, three coins, number-based and time-based, and why each gives different moving-line odds.
The Useful Spirit in Liu Yao is the line for the subject asked about, chosen per question type. Some matters, though, should not be cast.
Đằng Xà, Bạch Hổ and Huyền Vũ are three of the six beasts in Lục Hào, started by the day stem. Each spirit's nuance is analysed, and none decides fortune.
Qi in feng shui is the invisible flow the Zangshu describes as scattering in wind and stopping at water. It covers sheng qi, si qi, cang feng, and de shui.
Tuần không in Lục Hào: the two branches missing from a ten-day cycle, how to find them for the six Giáp cycles, and what Tăng san bốc dịch says.
Tang and Song records on Lý Hư Trung and Từ Tử Bình show Tử Bình has layered origins, with source texts like Lý Hư Trung mệnh thư altered over time.
The Diamond Sutra and the Heart Sutra are the two core Prajñāpāramitā texts of Chan: what they say, where they come from and why Chan prizes them.
